Recently in Photography

  Page 287 of 388 in Photography  

Eye-Fi Control on Sony NEX-5

On of the pieces of good news about the Sony Alpha NEX-5 is that it accepts SDHC cards in addition to Memory Sticks. I wasn't aware of that at first, but I am so happy that Sony is giving us this option. In addition to general convenience, it allows us to use Eye-Fi cards in the NEX-5 so we can transport images directly from the camera to a computer or online photo site. (I just tested this capability with the Eye-Fi Pro X2 8GB SDHC Card.)

In fact, if you scroll down to the bottom of the Setup menu on the NEX-5, you'll see that you have an on/off switch for the Eye-Fi card.

Eye-Fi Control on Sony NEX-5 You can turn on and off the wireless function on the Eye-Fi card via a menu setting on the Sony NEX-5.

Now I have complete control over the Eye-Fi card. Plus, when it's uploading, there's an icon on the Sony LCD that lets me know the status of the card: sending images, idle, or off.

I love this integration and would like to see it on more cameras.

More on the Sony NEX-5

Sweep Panorama Is Impressive on Sony NEX-5

"Sony NEX-5: Where Does it Fit?" - Digital Photography Podcast 228

Viewing Sony's NEX-5 AVCHD Movies on a Mac


twitter.jpg Follow me on Twitter

-


Knowing how to get the most from your flash provides you with endless lighting options. This week we remove the strobe from the camera's hotshoe and explore how to create professional looking portraits with a minimal amount of equipment. With just a single light stand, a couple of umbrellas, and a pair of dedicated flashes, you can have a portable studio that is easy to transport, but yields amazing results.

As a bonus, those with the TDS Podcast App can watch a slideshow that demonstrates the various lighting techniques I discuss in the podcast. You'll find it under "Extras" for this episode. The TDS Podcast App works on the iPhone, iPad, and iPod Touch.

Light Modifiers

Listen to the Podcast

You can also download the podcast here (23 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App from the Apple App Store.

Monthly Photo Assignment

Float is the June 2010 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is June 30, 2010.

JD Felton was the "Sizzlpix Pick of the Month" for Photo Assignment 50. Who will be the winner for Photo Assignment 51? The prize is an 11"x14" Sizzlpix of the winning photograph.

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. It's a blast!


twitter.jpg Follow me on Twitter

-


Podcast Sponsors

Red River Paper -- Try the $7.99 Sample Kit.

Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.


Technorati Tags: , , , , ,

Use Phone on the Right

When I was walking about Hamilton, Bermuda with just a Canon PowerShot S90 in my pocket, I spotted this most unusual shot. To this day, I'm not sure of the purpose of this particular phone, there, off to the side of the street.


Use Phone on the Right Photo by Derrick Story. Canon S90, ISO 80, Raw, 1/400 at f/4 Click for larger image.


twitter.jpg Follow me on Twitter

-


Dateline: New Orleans, Louisiana, USA. On the scene account by photographer Julie Dermansky. Politicians and BP officials who assure the public all that can be done is being done to protect and clean up the Gulf Coast, might want to reconsider those statements.

Gulf Oil Spill Photo by Julie Dermansky

This is not what I have seen. Brown pelicans on Queen Bess Island are living dangerously close to splotches of oil stuck inside and outside the boom meant to protect the island. Many of them have been rescued by wildlife and fishery officials, while countless others have died. The cleanup effort ramps up when VIP's are around; other than that, the cleanup and containment effort is sporadic at best.

Last weekend, Christopher Hernandez of Grand Isle called members of the press down to show them around the day after 600 workers were bussed in to clean the beach for Obama's visit. Post-Obama, the cleanup crews numbers dwindled and their work hours were almost nonexistant.

Editor's note: Professional photographer Julie Dermansky has been on the scene in the Gulf Coast since the early stages of the oil spill. You can follow her photographic coverage on her Flickr page.

One of the promises of the micro four thirds system is lens interchangeability between Olympus and Panasonic cameras. I was able to try this for myself recently by mounting a Panasonic 20mm f/1.7 on an Olympus E-PL1 body.

All functions seemed to work well, and the lens looked good on the camera. As for the results, I thought I'd let you decide for yourself. Click on the image below to view it full size without any image editing.

Panasonic 20mm on Olympus E-PL1 20mm Panasonic lens on Olympus E-PL1. No image editing on the shot. Click on image to see unedited full size photo.

Camera Data: Olympus E-PL1 body, Panasonic 20mm lens, ISO 800, 1/60th, f/1.7.


twitter.jpg Follow me on Twitter

-


Setting Up for the Tall Guy

I snapped this shot during a set change while working on my latest photography title at Lynda.com. You'll notice that the crew is trying to emulate my height while setting the scene. Oh, and guy sitting on the stool, Andrew, will be replaced by a very pretty model once the shoot begins.


Studio Setup at Lynda.com Building the set for a tall guy. Click on image for a larger version.

You'll get to see the beautiful model, and hear much more about this photography training title, once we finish it.



twitter.jpg Follow me on Twitter

-


Raw+Jpeg Workflow on an iPad

Even at this early stage in its development, the iPad has become a important part of my photography workflow. As I described in The Nimble Photographer, I can travel light (less than 6 pounds), but still be able to capture and manage high quality photographs. The key for me is using the Raw+Jpeg workflow.

In my latest Macworld Magazine article, A photographer's workflow for the iPad, I explain step-by-step how I work with the basic tools on the iPad to manage this.


Raw+Jpeg on an iPad Imported Raw+Jpeg pairs on an iPad using the Camera Connection Kit. What do you do from here? Click on image to enlarge.


The trick is to shoot Raw+Jpeg at capture and upload the pairs to the iPad via the Camera Connection Kit. Then when you're back in the office, offload the Raws to your computer, and leave the Jpegs you want on the iPad. Being able to separate the pairs is important because you don't want to fill up your iPad with large files.

I use the 3G model of the iPad, so I'm able to view, manipulate, and send off photos while still in the field. This is terrific for posting to social networking sites, blogs, or even sharing images with family and friends. Yet I know I have the Raw masters for more detailed post production when I return home.

You'll notice in the follow up discussion on the A photographer's workflow for the iPad article, there are still a lot of tools that photographers want, but aren't available yet on the iPad. This is always the case with a new device. But I predict that within months we'll have more capable applications that further enhance our ability to work on the run.

More iPad Articles

How to Create and Deliver Content for the iPad

Acme Made iPad Cases for Style and Protection

Will the iPad Squish my Photos?

The $2 iPad Stand

Bluetooth Keyboard and iPad - A Powerful Combination

Turn Your iPad into a Live Camera

Lowepro Classified 160 AW is Perfect Bag for iPad Toting Photographers

Coolest iPad Apps for Photogs? Keynote and CameraBag

"iPad for Photographers" - Digital Photography Podcast 219


twitter.jpg Follow me on Twitter

-


In-camera panorama processing seems like one of those features that's just too good to be true. But after testing this function with a Sony Alpha NEX-5, I'm here to say it's for real.

Sweep Panorama with Sony NEX-5 This sweep panorama of a high school football field was captured with a Sony NEX-5 with a 16mm f/2.8 lens. Click to enlarge.

The process is simple. You set the camera in Sweep Panorama mode, press the shutter, then pan your scene following the marker in the viewfinder. Once the image is completed, go to Playback mode, and your panorama is ready for viewing.

The finished resolution is 8192×1856 (15.2 MP), so you don't get the mega-dimensions that you'd see if you took a series of images and stitched them together in Photoshop. But what you do get is an impressively merged photograph that's ready to share right out of the camera. Click on the image above to examine a larger version. Not bad.

Moving objects do present a problem for Sweep Panorama. So this technique is best applied to static scenes (although the effects of movement are sometimes interesting and worth playing with). This technology will hopefully lead to more expansive shots from photographers who like showing the big picture.

More on the Sony NEX-5

Eye-Fi Control on Sony NEX-5

"Sony NEX-5: Where Does it Fit?" - Digital Photography Podcast 228

Viewing Sony's NEX-5 AVCHD Movies on a Mac


twitter.jpg Follow me on Twitter

-


Clown Fish

Editor's Note: The following article and photos are by Dennis Adams, co-author of Step Zero: Getting Started on a SCUBA Photo Trip. Dennis is a TDS listener and wanted to contribute his expertise to our Outdoor Life section.

Considering the Canon S90 for UW Photography

I have been a world traveler and Under Water (UW) for many years. While I travel with a large, heavy, very capable DSLR that is enclosed in an UW housing and supported by two large UW strobes to illuminate the dark UW subjects, I also travel with a small P&S with an UW housing. The P&S serves as a walk around camera and a backup UW camera.

Your praise of the Canon S90 sparked my interest, as my current P&S is getting close to 7 years old and newer cameras have much more capability. In addition to your review of the S90, I researched and discovered that there are several manufactures producing UW housings for the S90.

I wanted an UW housing that was of proven durability, repairable, flexible, and lightweight. I tend to use my equipment for many years and only upgrade when there is a substantial performance improvement. Using antique equipment does not bother me as long as it does what is needed.

Equipment

I found an excellent review of UW P&Ss at Backscatter.com. I selected the S90 because:

  • It is physically small
  • Has excellent photographic performance and from a world class photo company
  • Will produce RAW image files
  • There are several UW housings to choose from

The S90 has with three excellent housings available:

  • Canon housing $
  • Ikelite housing $$
  • Fisheye aluminum housing $$$$
  • I selected the Ikelite housing because of their excellent demonstrated performance across all their products and world class factory repair support. A wide angle lens may be attached or removed from the housing while underwater. Other manufactures also produce a more capable macro lens for UW use (than what is included with the S90).

    Sea Fan

    I was upgrading my 15 year old strobes to the new Sea & Sea YS-110a, which will connect to my camera via the usual electrical sync cord, or the newer fiber optic sync cord. I connected the camera end of the fiber optic sync cord for these new strobes to a small, home fabricated, plastic bracket held in place on the outside of the housing over the S90 flash with black electrical tape. This held the fiber optic cables in place so the camera flash would travel though them to the optical sync ports on my larger external flashes. The black tape also blocked any light from the camera flash going straight forward and causing backscatter from the particulates in the water. All strobes could then be easily connected either to the new housed S90, or my old housed DSLR with my Ultra Light Control System (ULCS) arms and handles.

    Performance

    The S90 fits snugly into the small Ikelite housing, and all camera controls are accessible by pushing housing buttons, twisting knobs or gear driven rings. I have operated my UW cameras in the manual mode for the past 30 years, and the S90 was no exception. With the camera set to manual mode:

    • The ISO set to 100 (I wanted max quality)
    • The flash set to forced-on and output power set to "minimum" (this low setting saved S90 battery power and still provided sufficient flash power to travel through the fiber optic cables to trigger the optical sync sensor on my external strobes)
    • The aperture setting was controlled via the twist knob on the front of the housing, (the aperture setting and strobe output power determine the subject illumination in UW photography)
    • The shutter speed was set to 1/60, 1/125 or 1/500 via the buttons on the back of the housing to obtain he desired background sea color of nice ocean blue or dark black. (the shutter speed setting determines the background color in UW photography)
    • The focus was set to auto and spot.
    • The image format was set to RAW only.

    (I have not yet tried the video mode UW as I don't have UW video light to bring out the colors, but I may try natural light video in the future)

    With these control settings, I was properly configured and was able to obtain proper subject and background exposure by adjusting camera controls and/or the output power of the external strobes. The S90 performed extremely well. The photos were in focus, properly illuminated, the background as desired and the image quality fully acceptable.

    The Macro camera function enabled me to record small fish and the wide angle UW attached lens enabled me to photograph large subjects while I was very close (being close UW eliminates most the floating gunk between your camera and the subject). While S90 does not have the rapid sequential photo, high focusing speed, or flexibility of my housed DSLR, I was able to take excellent photos with normal P&S planning.

    I recommend without reservation that you or others purchase an UW housing for your S90 so you too may enjoy its UW performance. Which housing you choose will depend on your desired usage and how much you wish to spend.

    Thanks Dennis for that excellent review. I am now inspired to get a housing for my S90! As I mentioned at the top of the article, Dennis Adams is co-author of Step Zero: Getting Started on a SCUBA Photo Trip.

    The Sony Alpha NEX-5 is part compact, part DSLR. It's 10 oz body houses a 14.6 CMOS APS-c sensor, plus lots of other top notch features such as a 3" tilting LCD, 7 fps burst mode, and full HD movie recording. I think it's a good camera for those upgrading from a point and shoot. I explain myself in this week's podcast.

    sony_nex-5.png

    Listen to the Podcast

    You can also download the podcast here (27 minutes). Or better yet, subscribe to the podcast in iTunes. You can support this podcast by purchasing the TDS iPhone App from the Apple App Store.

    Monthly Photo Assignment

    Float is the June 2010 Photo Assignment. You can read more about how to submit on our Member Participation page. Deadline for entry is June 30, 2010.

    JD Felton was the "Sizzlpix Pick of the Month" for Photo Assignment 50. Who will be the winner for Photo Assignment 51? The prize is an 11"x14" Sizzlpix of the winning photograph.

    More Ways to Participate

    Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. It's a blast!


    twitter.jpg Follow me on Twitter

    -


    Podcast Sponsors

    Red River Paper -- Try the $7.99 Sample Kit.

    Make Your Photos Sizzle with Color! -- SizzlPix is like High Definition TV for your photography.


    Technorati Tags: , , , , ,

    1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388
    Main Index | Monthly Archives | Category Archives