One of the best feelings a photographer can experience is to fire up the computer and quickly find an image from the past. Knowing that you are the master of your image library builds confidence and efficiency.

The first step in Capture One Pro is understanding the difference among the three major sections in the Library pane: Catalog Collections, User Collections, and Folders. Here's a brief explanation of each:

• Catalog Collections - Controlled by the application using pre-defined filters such as All Images and Recent Imports. This is where your pictures enter the database when imported from a memory card.
• User Collections - Controlled by you, providing the tools to build a library structure that's consistent with your sense of organization. You can create Groups (that act like folders in Aperture), Projects, and Albums.
• Folders - Shows the location of your masters, whether they're in the C1 catalog container, or outside the application set up as a referenced catalog.

I've published a short tutorial for organizing the User Collections area of your library. Take a look at One Way to Set Up Your Capture One Library. Following those simple techniques will help you add the structure that you crave for your image library.

Capture One Pro Essential Training on lynda.com

Later this month, my new video training titled, Capture One Pro Essential Training will be live on lynda.com. Keep your eyes peeled for my announcement. More than 100 movies that show you the easiest way to master your library, edit files, and output them in a variety of ways.

Thinking About Making the Transition from Aperture or Lightroom? - Download my free eBook titled, Rocky Nook's Guide to Moving to Capture One Pro. I show you the steps to create a test library, then build the foundation for a smooth transition to Capture One Pro.

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The Olympus 300mm f/4 IS PRO telephoto does ship with a tripod collar. But after shooting with it for a week, I can tell you that you don't need it. Thanks to its incredible dual image stabilization system, you can handhold this super tele at shutter speeds never before dreamed of at this magnification.

Before I get into my shooting experience with the 300mm PRO, here are the highlight features:

• Micro Four Thirds mount (Olympus and Pansonic mirrorless)
• 35mm equivalent of 600mm
• Lens IS and in-body stabilization for select MFT cameras, such as the OM-D E-M1 and E-M5 Mark II, offering sync IS technology to provide an astounding 6 stops of shake compensation
• Minimum focus distance: 4.6'
• Splash, dust, and freeze-proof construction
• Manual focus clutch and L-Fn button
• ZERO Coating to minimize flare, ghosting, and reflections
• Compatible with OM-D Silent Shutter setting for discreet telephoto shooting
• Supplied decoration ring can be used in place of tripod collar to maintain clean, svelte form factor for dedicated handheld shooting.

Crystal in Green Dress. Olympus E-M5 Mark II with 300mm PRO, ISO 200, 1/320th, f/4.0, handheld. Photos by Derrick Story. Model is Crystal McMullen (she's on Model Mayhem).

Camera Body and Firmware

The 300mm PRO will work with all Micro Four Thirds bodies, but it is particularly well-suited for the OM-D E-M1 and E-M5 Mark II with the latest firmware. When paired with these cameras, you can take advantage of the amazing sync IS technology that provides 6 stops of stabilization. And it works. I captured sharp portraits at 1/60th handheld.

Shooting Experience

The lens is remarkably light (52 ounces) for such powerful magnification at a wide aperture of f/4.0. I removed the tripod collar and used the included decoration ring for my handheld work. I did notice some compositional drift during sequences. My fault, not the lens. But it does take some practice shooting with an effective focal length of 600mms.

On the left side of the barrel there's the function button, IS switch, and distant settings (to speed up focus). The ergonomics are comfortable. Focusing is very fast and accurate. I held the lens barrel in my left hand and the E-M5 Mark II in my right. I didn't experience any fatigue during hours of shooting.

Image Quality

You can download full sized Jpegs from my Flickr photostream that will be better for evaluating the images than here in the blog. I actually pulled down the clarity for all the shots because there was too much detail in the skin.

The lens handled all types of lighting very well, including strong backlight as illustrated in the portrait above. Color rendition, sharpness, and background softness are excellent with this optic.

Bottom Line

The Olympus 300mm f/4 IS PRO telephoto lists for $2,499, and I think that's a superb value. Its professional build, ergonomics, performance, image quality, and outstanding image stabilization technology rivals DSLR competitors that cost considerably more. And to be honest, I don't think you'll find this level of image stabilization on any lens at any price. Highly recommended.

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This is The Digital Story Podcast #519, Feb. 16, 2016. Today's theme is "Just 5 Frames." I'm Derrick Story.

Opening Monologue

One of the interesting things that's emerged from The Film Project is the idea of shooting fewer pictures for any given subject. For a roll of 36 exposures, for example, I usually like to have 7 different topics. So I've been limiting myself to 5 frames at a time. I decided to move this concept over to digital too, and it's interesting the effect it's having on my photography. And that's the topic for today's show.

Just 5 Frames

When I get a roll of film back from the lab, one of the things I'm looking for is variety. What I don't want to see is an entire contact shoot of variations of the same subject. 35 frames of the same subject is something that I can easily do with my digital camera. And I don't think I always shot that way.

So, over the last few weeks, I've decided that for some of my subjects, I'll limit myself to 5 frames. Obviously this won't work for everything. But quite honestly, I sometimes just take too many pictures. I explore this idea in today's top story.

In the News

Ricoh celebrates 80th anniversary with limited edition silver GR II - covered by DP Review

If the stealth-black GR II isn't quite showy enough for you, then you may be interested in Ricoh's new 'Silver Edition' camera, which it created to celebrate its 80th anniversary. In addition to its new color, Ricoh has also diamond-engraved the lens' specs onto its front ring, added a custom on/off 'termination' screen and bundled a leather carrying case. Only 3200 of the Silver Edition GR II cameras will be sold worldwide, so get your order in soon. The compact GR II features a 16MP APS-C-size CMOS sensor, 28mm equivalent F2.8 lens, 1080/30p video and Wi-Fi with NFC. The GR II Silver Edition is priced at $699.

Night Photography Tip

I often switch my white balance setting to Tungsten for urban night photography to help offset the overly warm city lights. I can do this during capture, or play with the white balance during post. By doing so, I've discovered some wonderful shades of blue that look great and feel more appropriate for these subjects.

Member Quotes of the Week

Intelligent comments culled from The Digital Story Facebook page.

In regard to last week's Facebook Post: "Going from Lightroom or Aperture to Capture One Pro" we had some terrific comments that I want to share it with you now.

Michael wrote: "This podcast is (once again!) a model of clarity on a complex topic, thanks Derrick! It's hard to imagine how you could have done more to facilitate the transition for Aperture users.Do you have any thoughts on the stability or longevity of Capture One or its owner Phase One? While making predictions is dangerous (especially about the future, as Oscar Wilde warned us), it seems worth considering this before making the significant investment of time and energy that this transition will require. Keep up the great work."

And Mac added: "Another great show. I switched to Capture One in december. Since I usually run annual catalogues in Lightroom, it was easy. Just setup a new catalogue in Capture One, and done. The info you provided about importing old libraries to C1 is invaluable. Since I started with C1, it's a learning adventure. It works a little different than LR, which I had since v1. So I stumble through it. I can't wait for your Lynda.com course on it!!!"
And then I had to add this fun tweet from E74 Photo: "When is your Capture 1 course coming out? Assuming installer doesn't delete root folders..."

Post your thoughts on our Facebook page. Believe me, I read them.

Updates and Such

I'm testing the Olympus 300mm f/4 PRO lens this week, and I have to tell you, this thing is insane. It uses both optical image stabilization and sensor based at the same time. I shot a series of couples portraits at 1/60th outside, and they are sharp. The equivalent of 600mms at 1/60th. Think about it! More to report next week.

Pt. Reyes Photography Workshop - We have two rooms open at the Pt. Reyes Photography Workshop, Aug. 19-21 2016. If you want to hang out with us at Straus Ranch House and explore some of the most beautiful coastline in the world, visit the TDS Workshops page and put yourself on the reserve list.

Out of Chicago Update - The debut of The Nimble Photographer Workshop sold out on Friday, June 24. Because there is a wait list, we've added a second workshop on Thursday June 23. I hope you can join me in Chicago this coming June. There's still time for Early Bird pricing.

Gemini, the Duplicate Finder by MacPaw - Gemini's simple, fast, and safe to use, so make sure you give it a try. It's available at macpaw.com/gemini.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs. And a big thanks ImageFramer for also supporting this podcast.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

ImageFramer Take your photos to the next level with ImageFramer. Visit www.apparentsoft.com today.

MacPaw Creators of CleanMyMac 3 and other great software for Apple computers. Visit www.macpaw.com today.

The Nimbleosity Report

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This is from a guy who previously would only use Silver Efex Pro for his black and white work, but I've come to appreciate the B&W Adjustment in Photos for OS X, and the optional plugin, Tonality by Macphun.

Here's a shot that I'm using for my upcoming book on Photos for OS X. I made some exposure tweaks with the Light Adjustments, then finished it off with the B&W converter. If you're not familiar with what the four sliders do in B&W, this will help you:

• Intensity - If you think about how saturation works for color, that's what the intensity slider does for B&W. As you move the marker to the right, Photos intensifies the tones in the image. If one cube of sugar makes your coffee sweet, two cubes makes it even sweeter. That's what intensity does.
• Neutrals - This slider affects the gray areas of the image by lightening or darkening them. For this image, I thought that darkening the gray areas helped create a nice separation from the white markings of the cat, including her whiskers.
• Tone - This adjustment could really be called contrast, because that's what it does. Moving the marker to the right increases contrast, and to the left flattens it.
• Grain - To complete the film-like B&W effect, we can also add grain. Not only does this provide an analog feel to the image, it can make it appear a bit more crunchy.

Tip: Even though we're applying monochrome effects to our picture, it's still color inside. For example, you can still tweak the tones in your B&W by using the temperature and tint sliders in the White Balance panel. Try it. Photos provides an amazing amount of control for your B&W pictures.

For hands-on tutorials, be sure to take a look at Photos for OS X Essential Training on lynda.com. I cover everything you need to know to get the most from this surprisingly powerful image management application.

More Help and Insights on Photos for OS X

Don't forget about the Photos for OS X Special Feature Section on The Digital Story. It's a roundup of tutorials, videos, and articles focused on helping you master Apple's latest photo management software. You can also find it under Photography in the top nav bar.

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One of my ToDo tasks was to update the firmware for my Olympus OM-D E-M5 Mark II to version 2.2, so it would be compatible with an Olympus lenses that have the built-in image stabilizing function. (Yes, I'm testing the new Olympus 300mm f4.0 PRO Lens. More on that later next week.)

First, I had to download the latest version of OLYMPUS Digital Camera Updater (V 1.2.1). Then connect my camera and follow the prompts. The updating instructions are here; I recommend reading them first.

Everything went smoothly. So since I had the updating set-up ready to go, I thought I would check my other cameras and lenses. To my surprise, I needed to update a total of 3 cameras and 5 lenses! Wow. And there were some solid fixes and upgrades in those updates.

So my question to you is... when is the last time you checked the firmware version on our mirrorless camera? You might want to brew a cup of coffee and take a look.

The Nimbleosity Report

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In the Summer of 2000, Olympus released one of the most intriguing digital cameras of all time: the Olympus Camedia C-211 Zoom.

Not only did it include a 3X optical zoom, 2" LCD, and 2 megapixels of resolution, the C-211 had a built-in Polaroid printer that accepted Type 500 film. It was the best of both worlds. High quality digital files with the option to make a print at any time.

When you pressed the green print button on the back of the camera, it would think for just a second, then gears would grind and a print would emerge from the top of the camera. They weren't the most beautiful prints in the world, but they were cool.

We don't think of cameras from this era being particularly high quality. But take a look at this image of Dibs that I recorded today in macro mode with the C-211. It's not bad.

Don't get me wrong... it's still a vintage digital camera. The LCD is practically unusable in bright daylight, the C-211 operates at a casual pace, and they don't even make the SmartMedia cards that it uses for memory. (Fortunately, I hung on to the USB card reader that allows me to upload the images to my Mac.)

But, those awful Polaroid prints just ooze with nostalgia. And the digital images can be quite good. So, I don't think I'll be getting rid of my C-211 anytime soon.

Follow me on Twitter

Over the last year we've been talking about photo management software and how to cope with change. One question that comes up is "can I move my existing work to a new application?" It's a good question, and I have some helpful information for Lightroom and Aperture users contemplating a transition to Capture One Pro. And that will be the top story on today's show.

How to Move to Capture One

If you decide to try a different photo management app, or are forced to, how much of your previous library do you have to leave behind? To some degree, that depends on the amount of work that you want to invest in the project.

To help you make that decision, I'm going to outline the steps in today's podcast. At this point, you can just listen and think about what I'm saying. Because if you decide to make the move, I have a free eBook for you, titled: Moving to Capture One Pro. It has dedicated sections for both Lightroom and Aperture users, and it delves into the details of this type of transition.

So, for now, just sit back and listen. Then decide what's the best path for you to follow.

In the News

Instagram Finally Lets You Log Into Multiple Accounts - covered by PetaPixel.

If you have two or more Instagram accounts -- perhaps one for personal and one for business - Instagram has some great news for you this week: the company is finally rolling out multi-account support, which lets you log into multiple accounts in one app and quickly switch between them. This official announcement comes just weeks after some Android and iOS users began seeing the feature in their apps.

There are step-by-step instructions over on the Instagram Help page. And the Petapixel page features a short video that shows how easy it is to switch between accounts.

Oh Those Embarrassing Moments

I'm guessing that you may know that I have a journal on TheNimblePhotographer.com. So I thought I'd read you an entry today to give you a feel for what goes on over there. Today's story is an awkward incident from my trip to Austin, Texas.

Member Quotes of the Week

Intelligent comments culled from The Digital Story Facebook page.

In regard to last week's Facebook Post: "What is the Fascination with Retro>" we had some terrific comments, and I want to share one with you now.

Andrew wrote: "My recent interest in film cameras probably started more from a collector stand point. I started rebutting some of my camera history mostly for nostalgic reasons. Once you get these cameras back in your hands, they feel so good you just want to use them. I don' t think I would go back though - I like what digital photography gives me. It's just like I wouldn't relinquish word-processing for a typewriter - my brain is now rewired for digital. It doesn't mean I don't enjoy the occasional analogue "holiday". In fact, I am planning to make one day a month in 2016 as an analogue only day.

I don't think an interest in film is predicated on nostalgia. My son is of the "digital native" generation and he asked for a film camera for his birthday. He had been enjoying using OM lenses on his A7s and wanted the full OM experience.

Post your thoughts on our Facebook page. Believe me, I read them.

Updates and Such

The Digital Story Podcast is Coming to Google Play Music - Google has just published the last 15 TDS shows on its new Google Play Music Podcast service for Android devices. If you're a new listener turning in... welcome! More info at https://play.google.com/music/listen

Out of Chicago Update - The debut of The Nimble Photographer Workshop sold out on Friday, June 24. Because there is a wait list, we've added a second workshop on Thursday June 23. I hope you can join me in Chicago this coming June.

Gemini, the Duplicate Finder by MacPaw - Gemini's simple, fast, and safe to use, so make sure you give it a try. It's available at macpaw.com/gemini.

Are you using PROMO code: STORY to save 25 percent. You can apply that toward any wood print at www.inkdot.com.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs. And a big thanks ImageFramer for also supporting this podcast.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Inkdot.com - Specializing in wood prints and other artistic treatments of your imagery - visit www.inkdot.com.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

ImageFramer Take your photos to the next level with ImageFramer. Visit www.apparentsoft.com today.

MacPaw Creators of CleanMyMac 3 and other great software for Apple computers. Visit www.macpaw.com today.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Oddly enough, White Balance isn't part of the default set that appears in the Edit menu in Photos for OS X. And I say "oddly," because it's such a necessary tool, and the Photos version of it is very good.

To make sure it always shows up, open an image in Edit mode, click on Adjust in the righthand sidebar, click on Add, and choose White Balance from the popup menu. Then go back to Add and select "Save as Default." It will now automatically appear in your Adjust panel.

The adjustment itself is quite powerful and very much like the version we had in Aperture. Here's a short video on how to use it.

And for other hands-on tutorials, be sure to take a look at Photos for OS X Essential Training on lynda.com. I cover everything you need to know to get the most from this surprisingly powerful image management application.

More Help and Insights on Photos for OS X

Don't forget about the Photos for OS X Special Feature Section on The Digital Story. It's a roundup of tutorials, videos, and articles focused on helping you master Apple's latest photo management software. You can also find it under Photography in the top nav bar.

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Of all the bags I've tested over the years, I've never had so many people approach me with complements as I have with the Lowepro StreetLine 140.

"That looks really nice. Is it a camera bag, or did you modify it yourself?"

"Where did you get that? Does it hold camera gear too?"

Yes, it is a camera bag. It doesn't look like one, does it? And don't get wrong, but it certainly doesn't look like a Lowepro bag. Shouldn't it be, well, more foamy or something?

It is a Lowepro bag, and after using it on assignment in Austin, it's now my favorite Lowepro. The Streetline 140 can be worn as a sling or a shoulder bag, holds two mirrorless cameras plus spare lens and personal items, plus accommodates a laptop and/or a tablet. The specs state an 11" laptop, but my MacBook Pro 13" (non-optical drive model) fits like a glove in the dedicated sleeve (that keeps your laptop separate from other items inside).

In Austin, I carried an Olympus OM-D E-M5 Mark II with 14-42mm EZ zoom and the new Olympus PEN-F with a 17mm f/1.8, plus the 75mm f/1.8, 9mm body cap fisheye, iPad mini, gloves, snacks, and shades. And I still had room for extra batteries, cards, and whatnot.

And here's the interesting part: the Streetline kept its slim profile and extreme comfort, even with all this gear inside. I used it mostly as a sling, keeping it secure against my back while walking, then swinging it around to work out of when shooting. It's very easy and fast to operate. There's a zippered pocket on the front flap (all external zippers are weatherproof) for quick items, another zippered storage area under the flap.

Then there's the main compartment. Here's where we get to a slick Lowepro innovation. The collapsable, interior FlexPockets are super space-efficient, yet protect the cameras. So I no longer have to endure wasted storage because of foam inserts. When I'm packing a camera, I pull a FlexPocket out, and when I'm just using the Streetline as a regular commuter bag, I collapse the FlexPocket to open up the entire interior of the carryall. It's clever, efficient, and works great.

The strap and high-tech back panel are very comfortable, there's a handy top handle, and one of my personal favorites, a multi-function trolly sleeve. You can use it as a spare pocket when on foot, then separate the top and bottom velcro fasteners, and slide the bag over your rolling suitcase handle.

Or, if you want, you can stash the Streetline 140 in your suitcase and use a bigger carryon for the flight. Thanks to the FlexPockets, the sling compresses quite flat, making it easy to stow with shirts and pants. When you arrive at your destination, load up the Streetline with your gear, and go explore.

I wore the bag all day, in rain, wind, and even some sun. It maintained its handsome looks regardless of the weather conditions. My gear remained safe and dry. Most observers would never guess it's camera bag. But it is, and a darn good one.

The Lowepro StreetLine 140 ($149) has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

I've been testing the Lexar 64GB Pro 1800X Micro SDXC card in my Olympus OM-D E-M5 Mark II with terrific results.

"What?" you say. "The OM-D uses regular SD cards, not micros."

And you are right. But the Lexar kit includes a matching pass-through SD card adapter, so I can take advantage of the 1800X card, and just as importantly, its tiny high-performance card reader that takes up virtually no room in my bag.

The bundled card reader is the frosting that makes this cake so sweet. By using it, instead of a regular memory card inserted into my Mac's SD port, I can maximize performance.

For example, yesterday I recorded 1.15 GBs of video with the OM-D using the Lexar 1800X. When I transferred the files via the bundled thumbnail-sized reader, it took 5.16 seconds to copy them to my Mac. Like I said, speedy.

When the microSD isn't in the reader, I keep it in the SD card adapter so I don't lose it. And if I ever need that size for a smaller device, all I have to do is reformat the card, and I'm ready to go.

The Lexar 64GB Pro 1800X Micro SDXC card kit is now available at B&H for $102.84. If you need high performance both at capture and copy, it's worth a look.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

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