Recently in Photography

  Page 23 of 340 in Photography  

A welcome new feature in Luminar 2018 V. 1.3 Mac is compatibility with DxO's excellent FilmPack 5. Luminar users now can integrate all of those great film looks into their workflow.

DxO-plugin.png

save-button.png

No configuration is required. Simply open an image in Luminar, go to Plugins > Other > DxO FilmPack 5, and the handoff will automatically happen. Once you've finished working on the picture in FilmPack, click the Save button in the upper left corner, and the edited image will be returned to Luminar as an adjustment layer.

From that point, you can continue editing as you would with any project by applying blending modes, opacity adjustments, and of course, by tapping any of Luminar's Filters.

finished-shot.png

DxO FilmPack 5 compatibility is just one of the new features in the Luminar 2018 V. 1.3 Mac update. You can view the Mac Release Notes here. Windows users also have a slew of updates. You can view the Windows Release Notes here.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Physical Filters to the Rescue

filters-landscape.jpg

I spent the last few days on a scouting mission in Lassen Volcanic National Park. The primary goal of our mission was to find spots for an upcoming workshop, so we were moving quickly and exploring all times of day. To help tame the crazy light during this adventure, I used both a polarizing and rotating graduated filter on my Pentax KP DSLR with the super nimble Pentax HD DA 18-50mm zoom.

A common approach among many photographers is to tap software in post production for their adjustments instead of using filters at capture. I do both. I think using a polarizer, neutral density, or graduated filter at capture allows me to gather more information in the file that I can manipulate more easily in post production. It's the old adage: good data in, good data out.

Meadow Near Juniper Lake "Meadow Near Juniper Lake" - Pentax KP, 18-50mm DA zoom, handheld, f/14, 1/50, ISO 800, +1 EV, polarizer and graduated filters. Photo by Derrick Story.

One of the problems that I once had with stacking these filters was their density, causing me to lose 2-3 stops. This forced me to pull out the tripod, which would really slow things down on a scouting trip like this. But thanks to better high ISO performance with today's digital cameras, we can still stop down, handhold, and use filters. The above image is a RAW file recoded at ISO 800. I did not use any noise reduction in post, though I could have if needed.

I'm sure by this point landscape photography purists are pulling what remains of their receding hairline out. I don't care. I am not competing with them. I am a storyteller who travels light and wants good images to accompany my words. So yes, I'm using a cropped sensor DSLR with a compact zoom and a couple filters. And I'm having a blast.

My point is, that we all have a lot of options at capture. How you take advantage of those tools impacts the time you spend in post. In the case of this trip, two simple filters helped me stay nimble, both in the field and at the computer.

PS: If you're curious about an inexpensive graduated filter kit, take a look at the Bower 52mm Graduated Color Filter Kit to get your feet wet.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Olympus PEN-F Discount (and more!)

If you've been contemplating the timeless Olympus PEN-F mirrorless camera, it's on sale right now for $200 off the normal price: $999. What makes this even more tempting, the companion Digital ED 14-42mm f/3.5-5.6 EZ zoom is $100 off, only $199. Together, they make an incredibly creative, compact, and powerful image-making tandem.

olympus-pen-front.png

And to top off the kit, I recommend the LC-37C Auto Open Lens Cap ($28) that automatically opens and closes when you power up/down the camera. It's super handy, and you'll never misplace your lens cap again.

One other super nimble deal you might be interested in is the DJI Spark for $349. This is the quadcopter that I'll have stashed in my backpack as I scout locations for our upcoming Burney Falls/Lassen Volcanic Park Workshop coming up in late September.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #643, July 10, 2018. Today's theme is "Has Flickr Found Its Soulmate?" I'm Derrick Story.

Opening Monologue

Flickr was my first serious photo sharing site. I joined in 2006. But even though it hosts billions of images posted by millions of users, it has been written off for dead for years. The problem is, someone forgot to tell the photographers who use it, including its new owner, Smugmug. People endure bad relationships all the time. And some lucky ones escape them to find their soulmates. I think Flickr's story is far from over. And we're going to take a closer look at this journey on today's TDS podcast.

Has Flickr Found Its Soulmate?

Since May 2007, when Flickr started compiling my stats, I've had 3,125,472 views for my 9,515 photos. Our Digital Story Public Group has 3,243 members who have posted 76,903 images since its inception in October 2006. My latest Explore image, "Black Pool," has had nearly 50,000 views and 154 Faves in less than a week. If this is the photography ghost town that many claim it to be, then hand me a lens cloth to dust off my zoom, because I'm sticking around. (My site, BTW, is Derrick Story on Flickr.)

flickr-smugmug.jpg

Before I go down this path any further, let's take a brief look back at Flickr's history. It was founded in 2004 by Stewart Butterfield and Caterina Fake. In March of 2005, Yahoo! bought Flickr for about $24 million and moved the servers from Canada to the U.S. Over the next decade, a hodgepodge of feature additions, plus a major site redesign in 2013, delighted many users and frustrated others.

Then for some odd reason, Verizon bought Yahoo! and Flickr in June of 2017. The Flickr side of that purchase didn't last long, with SmugMug taking it over in April 2018. And that's where we stand now.

For those of you not familiar with SmugMug, "it is a photography platform dedicated to visual storytellers. SmugMug has a long history of empowering people who love photography and who want to improve their craft, making them a perfect fit for Flickr and our creative community. With SmugMug, photographers can create beautiful portfolios, use a powerful e-commerce platform to sell their photos, preserve their memories, and stand out with great options for showcasing their work."

And I think this will be the marriage that sticks. Here are five reasons why. (Much of this information is from the SmugMug/Flickr FAQ.)

  • Why Did SmugMug Buy Flickr? - An opportunity to join together two communities and businesses that share the same values was one we couldn't pass up.
  • Why Is SmugMug the Right Partner? - Here at SmugMug we love and live photography, which makes us the perfect partners with the team at Flickr. Our communities complement each other and have for years. Together our brands give photographers a place online to fit in and a place to stand out.
  • What Immediate Changes Should Flickr Users Expect? - We don't have any plans for immediate changes. If we make any changes, we're going to make sure the changes are for the better. We'll make sure to involve our loyal customers in the process as we grow both SmugMug and Flickr. Have no worries, Flickr will stay Flickr and SmugMug will stay SmugMug, but together both will get even better.
  • SmugMug Will Listen to the Flickr Community - Honestly, though, there are numerous parts of Flickr that we plan to improve and SmugMug supports our desire to make your Flickr experience better. Before making any significant changes to the Flickr experience, SmugMug is committed to spending time getting to know the community and listening to your needs. We will share updates as we map out our future together.
  • Both Companies are Photo-Centric - I've been a SmugMug customer for years, and I can tell you that they know and love photography. Their services are complementary to Flickr's. There's no guarantee of success, but I really like the odds.

When SmugMug acquired Flickr earlier this year, Gizmodo publish a post titled, Flickr Takes Another Sad Turn, Gets Bought by Something Called SmugMug. The author concluded that, "If nothing else, SmugMug now finds itself in possession of a cherished relic from the early days of Web 2.0 and a shit-ton of photos that can be printed on tote bags or whatever. Good for it."

I looked up the author, AJ Dellinger, on Instagram. He has 73 followers.

I think it's time that we put Flickr's fate in the hands of people who care about photography. That's you and me, and as far as I can tell, SmugMug as well. If you haven't used Flickr for a while, stop by. Post an image. See what others are doing.

For me, Flickr is a source of inspiration, a community of peers, and provides access to images that thanks to Creative Commons licensing, I can use for many of my projects.

And then to bring it even closer to home, join our The Digital Story Digital Photography Public Group. Those are our people. And they are sharing images every day. And it's their work that I draw from for out TDS Member Photo of the Day on Facebook.

Still Waiting for my Canon Rebate

On the June 11, 2018 TDS Podcast I mentioned that "I'm Taking the Canon PIXMA PRO-100 Rebate Challenge" and had mailed in all the required documents for my $250 rebate. I just checked the mail today, July 9, and still no rebate in sight. I will keep you posted....

Scouting Trip for the TDS Fall Photography Workshop

I'm heading out on a scouting mission for our BURNEY FALLS AND LASSEN VOLCANIC NATIONAL PARK WORKSHOP this coming September 27. Those of you who have signed up for the event are in for a real treat.

We've upgraded our accommodations to a wonderful, spacious home at Lake Almanor, complete with Internet and cell coverage. The room and board fees will be dropping from the stated $65 a night amount, and we're including even more meals. This is looking really good.

I'll have an update on shooting locations once I return from the scouting mission. But we've already explored some great sites, and there are still more on the list.

We have two seats open. This is the last opportunity to reserve before I go public next week. You're not going to want to miss this!

Do You Have a Film Camera that Needs a Good Home?

Over the last year, I've received donations from TDS members who have film cameras that need a good home. What I do is inspect the items, repair and clean as I can, then list them in TheFilmCameraShop where I can find a good home for them. If you're interested in donating, please use the Contact Form on TheNimblePhotographer site. And thanks for you consideration!

Thanks to Paul Brown, Jane Beckman, Sally Harms,Kathleen McKee, Wendell Smith, Ken Wolter, and others who have previously contributed their gear to TheFilmCamerasShop.

Luminar Deep Dive Workshop

July 21, 2018 - 8:30 AM to 12:30 PM - Santa Rosa, CA Facilitators: Derrick Story and Angela Andrieux

Practically every photographer who comes to Luminar arrived from somewhere else.

Maybe you're a Lightroom user who wants to get away from the Creative Cloud subscription. Many Aperture users have been waiting for the next big thing that they can migrate to. Regardless of where you're coming from, Luminar offers both the traditional editing tools that we've come to love, plus innovation that we've never seen before... all in one affordable package.

If you're interested in the future of image editing, this workshop is for you. Derrick and Angela will show you how to apply your favorite techniques in Luminar, such as using a gradient screen to tame an overly bright sky, plus introduce you to the next generation of image editing with tools such as Accent-AI.

The four-hour workshop will be divided into 3 segments.

Session 1 - Luminar Basics: How to Accomplish Everyday Tasks

Session 2 - Traditional Techniques in Luminar: Working with Layers, Screens, Blending Modes and More

Session 3 - The New Age of Image Editing: How Luminar's New Tools will Change Your Photography

Plus, we'll provide the latest information about the Skylum Digital Asset Manager, lead Q&A sessions, and share our experiences working with the Skylum team.

If you want to explore the Luminar alternative, then this is an event you don't want to miss.

About the Facilitators

Angela a photographer, blogger, and photography coach living in Chesapeake, VA. She is a working photographer, educator, and works with Skylum, helping to facilitate their community forum. Angela provides both creative and technical support. And she truly understands the Luminar image editing process.

Derrick is a writer, photographer, teacher, and podcaster. You can follow his weekly shows on TheDigitalStory.com, as well as read his blog posts, check out his workshop schedule, and find links to his social accounts, including Instagram (DerrickStory), Twitter (Derrick_Story), and Facebook (thedigitalstory). TheDigitalStory show is also available where ever you download your podcasts. Derrick is the moderator for Skylum's Public Group on Facebook.

Workshop Fee: $69

You can register here at: our workshops page.

Updates and Such

I've updated our Directory to Portfolios by TDS Photographers page. Stop by and see what your peers are publishing.

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Create the site that your best images deserve by visiting Portfoliobox. And get a 20 percent discount by using our landing page!

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Think about the things that you might want from a portable power pack while on a roadtrip. A unit light enough to toss in your bag while on hike would be good. A powerful flashlight is always helpful on the road. But what if you returned to your car only to discover that the battery was dead because you left a light on? Wouldn't if be nice if your power pack was robust enough to jump the car? Meet the Cobra JumPack CPP 9000.

P7066255-JumPack-cables-1024.jpg The jumper cables plug into a special port on the JumPack. They can be left in the car while you carry the basic unit with you while on foot.

I know it sounds crazy, but it works. When the cables are connected to the JumPack, it has a 200 Amp starting current, with a 400 Amp peak current that can jump start most cars multiple times on a single charge. It uses a 7500 mAh Lithium-Cobalt battery and special circuitry to get this job done.

Yet, the JumPack is not much bigger than my iPhone X and weighs less than a pound. So I can carry it with me to power up my USB devices.

P7066267-JumPack-size.jpg The unit is light enough and compact enough to fit in your backpack or gear bag. Here it is next to my iPhone X.

For refueling USB devices, such as smartphones and tablets with the with the 5-Volt/9-Volt output port. All you have to do is plug the phone's USB cable into the JumPack, and it automatically starts charging it. You can use the device while it's connected to the power pack.

P7066249-JumPack-iphone-charge-v2.jpg Charging the iPhone X via the JumPack's 5-Volt/9-Volt port.

There's plenty of safety built-in as well. The JumPack is built to be compliant with safety standard UL 2743. Even when you're jumping the car, everything is protected via its cutoff circuitry. To jump a vehicle, connect the cables to the battery, then connect the JumPack. You'll first see a red LED indicating that it's verifying the connections. Then the light will turn yellow while it's transferring power to the battery. Finally, when the LED turns green, you can start the ignition.

P7066251-JumPack-ports.jpg Input and output ports, plus the LED flashlight.

The 500 lumen, high-intensity flashlight features strobe and SOS functions for emergency assistance. Hold the green button for 3 seconds to turn on the lamp, then cycle through the different functions by pressing the green button. The flashlight does work while you're charging a USB device, so both functions can be tapped simultaneously.

The JumPack includes a mini-USB cable that you can use for recharging the unit via any USB charger. In my testing, it took about 3 hours to refresh the JumPack from 25 percent to full charge, using an Apple 10 watt USB charger. The JumPack will hold its juice for 8 months. So it you have it stored in an emergency kit, I would top it off twice a year.

P7066268-JumPack-in-bag.jpg The JumPack kit includes the power unit, USB cable, jumper cables, and a bag that holds everything.

The Cobra JumPack CPP 9000 is available directly from the Cobra website for $129. It's powerful enough to start a V8 engine, motorcycle, or boat. And it's light enough to slide into your camera bag. I'll definitely have it with me on my next roadtrip.


Nimble Photographer Logo

The JumPack has a high Nimbleosity Rating. What does that mean? You can learn about Nimbleosity and more by visiting TheNimblePhotographer.com.

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Easy Infrared Photography

I've been fascinated with infrared photography since the film days. I especially like the bold B&W approach - darker sky, bright clouds, and glowing foliage. But even in the digital age, I found the workflow a little confusing. So I finally sat down and figured it out. And here's what I'm using today.

Black Pool "Black Pool" - Fujifilm X-20, Hoya R72 filter, processed in Luminar and Photos for macOS. Image by Derrick Story.

Starting with the camera itself, we all have favorites from the past that we're probably not using as much as we'd like. In my case, a Fujifilm X-20 that I adore. I tested it for IR photography by pointing my TV remote toward the lens at close distance and pressing the power button. I could see the IR signal on the camera's LCD. Good news! That meant that my X-20 had potential for infrared photography.

Next, I needed a filter. I prefer the Hoya R72 Infrared Filter ($36). I use both the 49mm and the 52mm on my cameras. It's a dense filter, but it does a great job of enhancing the wonderful IR effect that I want.

ir-setup.jpg

One of the things that I like about Fujifilm cameras are their film simulation modes. For this project, I use the "monochrome + red" setting in Jpeg Fine mode. Combined with the R72 filter, this setting gives my images a lot of initial pop. For handheld work, I usually have the ISO at 800 under bright sun.

When it's time to process, I use Photos for macOS with Luminar 2018. For this workflow, I use Luminar as an editing extension to keep things simple. But I could use it standalone, or as a plugin for Lightroom as well.

A good starting place in Luminar is a set of presets by Laurie Klein called Infrared Mastery that you can order for $12.95. Plus, you get an instructional eBook! I use them as super helpful starting points, then adjust on my own from there.

And that's all there is to it. Luminar has really helped my Infrared workflow by simplifying the fine-tuning process. A lot of times, photographers don't have a feel for processing IR images. The pictures, as initially captured are good. But to really get what you want, you need the post production. With Luminar's presets and noise reduction filter, I can finish my IR image quickly and beautifully.

Give it try. It's the perfect photography opportunity for a bright summer day!

Rock Luminar with my new Essential Training

You learn all the ins and outs of Luminar 2018 via my Essential Training on lynda.com and on LinkedIn Learning. It's fun, and I promise, you will learn a lot.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #642, July 3, 2018. Today's theme is "Shake it Up." I'm Derrick Story.

Opening Monologue

Zeiss-OMD-1024.jpg Analog Zeiss 85mm f/1.4 mounted on an Olympus OM-D E-M1 Mark II, Softar 1 Filter, and lens adapter.

There are days when I go to my photo cave and just start spreading things around - lenses, filters, gels, reflectors, diffusers, and whatever else I have laying around. Then I start looking for interesting combinations. I want to do something different. I want to shake it up. And that's the topic of today's TDS photo podcast.

Shake it Up

One of my favorite things about mirrorless photography is that we have so many options when it comes to lenses. Adapters are cheaper than ever, so you can have three or four in different mounts. This opens up a whole world of new optics for your camera. And don't forget filters and other modifiers as well.

Let's look at some of the ways's I've shook it up recently.

  • Old Lens, New Camera - I just shot a series of images with a Contax Zeiss 85mm f/1.4 mounted to my OM-D E-M1 Mark II.
  • Profile Cat in Hallway Dibs the Cat captured with the Zeiss 85mm and Softer 1 filter. Photo by Derrick Story.

  • Real Filters - I just scored a Zeiss Softar 1 filter. It has a look that's different than what I'm doing in post. How about the guy who went street shooting with an ND filter?
  • Wet it Down - Water is the original saturation slider.
  • Pinhole Adapters - Yes, they make them for mirrorless cameras, and they are a blast.
  • Infrared - When summer rolls around, I think thinking about IR photography. Why? Because it's actually better in the middle of the day. I use a Hoya R72 Infrared Filter.

Try at least one of these this month, then let me know how it goes. I'm guessing that you will come away with an image that you like, and possibly never dreamed that you could create.

Court Rules Copying Photos Found on Internet is Fair Use

Article via Petapixel.

A Virginia federal court has made a decision that photographers won't be happy to hear: the court ruled that finding a photo on the Internet and then using it without permission on a commercial website can be considered fair use [under the right conditions].

In the United States, whether or not a use of copyrighted material without permission can be considered fair use (17 U.S. Code § 107) depends on four main factors: (1) the purpose and character of the use (including whether it's "transformative" and commercial vs. non-commercial), (2) the nature of the copyrighted work, (3) how much of the work is used, and (4) how much the use affects the market and/or value of the work. After considering these four factors, District Judge Claude M. Hilton of the Eastern District of Virginia concluded that the festival's use of Brammer's photo fit the criteria for fair use.

I'm sure we're going to hear more about this case.

Do You Have a Film Camera that Needs a Good Home?

Over the last year, I've received donations from TDS members who have film cameras that need a good home. What I do is inspect the items, repair and clean as I can, then list them in TheFilmCameraShop where I can find a good home for them. If you're interested in donating, please use the Contact Form on TheNimblePhotographer site. And thanks for you consideration!

Thanks to Paul Brown, Jane Beckman, Sally Harms, Kathleen McKee, Wendell Smith, Ken Wolter, and others who have previously contributed their gear to TheFilmCamerasShop.

Luminar Deep Dive Workshop

July 21, 2018 - 8:30 AM to 12:30 PM - Santa Rosa, CA Facilitators: Derrick Story and Angela Andrieux

Practically every photographer who comes to Luminar arrived from somewhere else.

Maybe you're a Lightroom user who wants to get away from the Creative Cloud subscription. Many Aperture users have been waiting for the next big thing that they can migrate to. Regardless of where you're coming from, Luminar offers both the traditional editing tools that we've come to love, plus innovation that we've never seen before... all in one affordable package.

If you're interested in the future of image editing, this workshop is for you. Derrick and Angela will show you how to apply your favorite techniques in Luminar, such as using a gradient screen to tame an overly bright sky, plus introduce you to the next generation of image editing with tools such as Accent-AI.

The four-hour workshop will be divided into 3 segments.

Session 1 - Luminar Basics: How to Accomplish Everyday Tasks

Session 2 - Traditional Techniques in Luminar: Working with Layers, Screens, Blending Modes and More

Session 3 - The New Age of Image Editing: How Luminar's New Tools will Change Your Photography

Plus, we'll provide the latest information about the Skylum Digital Asset Manager, lead Q&A sessions, and share our experiences working with the Skylum team.

If you want to explore the Luminar alternative, then this is an event you don't want to miss.

About the Facilitators

Angela a photographer, blogger, and photography coach living in Chesapeake, VA. She is a working photographer, educator, and works with Skylum, helping to facilitate their community forum. Angela provides both creative and technical support. And she truly understands the Luminar image editing process.

Derrick is a writer, photographer, teacher, and podcaster. You can follow his weekly shows on TheDigitalStory.com, as well as read his blog posts, check out his workshop schedule, and find links to his social accounts, including Instagram (DerrickStory), Twitter (Derrick_Story), and Facebook (thedigitalstory). TheDigitalStory show is also available where ever you download your podcasts. Derrick is the moderator for Skylum's Public Group on Facebook.

Workshop Fee: $69

You can register here at: our workshops page.

Updates and Such

I've updated our Directory to Portfolios by TDS Photographers page. Stop by and see what your peers are publishing.

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Create the site that your best images deserve by visiting Portfoliobox. And get a 20 percent discount by using our landing page!

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Water is one of the most important elements on our planet. And for photography, it's also one of the best enhancers. Time and time again I've discovered that a little spray dramatically improves an image.

wet-vs-dry.jpg Same subject, same lighting, wildly different results. Photos by Derrick Story.

Here's an example. I spotted this Nasturtium peeking up through a wood palette in my patio garden at the studio. I love the intrepid nature of plants. I pulled iPhone from my pocket and photographed it. Then I thought, "This could be even better." So I sprayed down with the garden hose, resulting in this shot.

final-image.jpg Final iPhone image, edited in Photos for iOS. Image by Derrick Story.

You've heard the saying, "Just add water." That must have been a photographer who coined it.

New Photos for macOS High Sierra Training!

Is it time for you to learn the ins and outs of the latest version of Photos? Take a look at Photos for macOS High Sierra Essential Training on LinkedIn Learning, or on lynda.com. Maximize your iPhone photography and complement the work you do with your mirrorless cameras as well. You'll love your cameras even more...

Also be sure to check out my new book, The Apple Photos Book for Photographers, 2nd Edition. It's completely up to date!

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

Practically every photographer who comes to Luminar arrived from somewhere else.

Maybe you're a Lightroom user who wants to get away from the Creative Cloud subscription. Many Aperture users have been waiting for the next big thing that they can migrate to. Regardless of where you're coming from, Luminar offers both the traditional editing tools that we've come to love, plus innovation that we've never seen before... all in one affordable package.


July 21, 2018 - 8:30 AM to 12:30 PM - Santa Rosa, CA
Facilitators: Derrick Story and Angela Andrieux


If you're interested in the future of image editing, this workshop is for you. Derrick and Angela will show you how to apply your favorite techniques in Luminar, such as using a gradient screen to tame an overly bright sky, plus introduce you to the next generation of image editing with tools such as Accent-AI.

downtown-oakland-dstory.jpg

The four-hour workshop will be divided into 4 segments.

Session 1 - Luminar Basics: How to Accomplish Everyday Tasks

Session 2 - Traditional Techniques in Luminar: Working with Layers, Screens, Blending Modes and More

Session 3 - The New Age of Image Editing: How Luminar's New Tools will Change Your Photography

Session 4 - The latest information on the new digital asset manager that will be released later this year.

Plus, we'll provide the latest information about the Skylum Digital Asset Manager, lead Q&A sessions, and share our experiences working with the Skylum team.

If you want to explore the Luminar alternative, then this is an event you don't want to miss.

About the Facilitators

Angela a photographer, blogger, and photography coach living in Chesapeake, VA. She is a working photographer, educator, and works with Skylum, helping to facilitate their community forum. Angela provides both creative and technical support. And she truly understands the Luminar image editing process.

Derrick is a writer, photographer, teacher, and podcaster. You can follow his weekly shows on TheDigitalStory.com, as well as read his blog posts, check out his workshop schedule, and find links to his social accounts, including Instagram (DerrickStory), Twitter (Derrick_Story), and Facebook (thedigitalstory). TheDigitalStory show is also available where ever you download your podcasts. Derrick is the moderator for Skylum's Public Group on Facebook.

Workshop Fee: $69

Register Now!

You can register here at: our workshops page.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #641, June 26, 2018. Today's theme is "Overcooked." I'm Derrick Story.

Opening Monologue

A by-product of today's amazing post production software is sometimes images that are over-saturated, sharpened, and in general, overdone. You may think that the creators of these images would see their overzealous processing. But realizing it is trickier than you'd think. We're going to take a closer look at this phenomenon in today's TDS podcast.

Overcooked

I remember standing before a series of images printed by Ansel Adams. The photo was the famous Moonrise Over Hernandez. There were about a dozen prints on the wall, and as I examined them from left to right, each image became darker and more intense.

The image on the far left was an early print. The one on the far right was one of the last prints. It was amazing to me to stand back and watch how the artist keep pushing the envelope as he printed the image over the years. My favorite version was one of the earlier prints.

I thought about Adams again recently when reviewing images by very good photographers online. Nearly all of them were great captures. Some of them had complementary post processing that enhanced the original image. Many of them had gone too far in editing and had created striking but unnatural works. I wondered that if the same phenomenon that led to Adams overcooking Moonrise Over Hernandez applies to editing with software. My conclusion is they are very much the same.

overcooked.jpg

Here are five suggestions to help you check your processing to prevent overcooking your images.

  • Determine the Objective of the Image - Is this shot meant to be surrealistic or abstract? If not, what is your goal with it? Have some idea before your start editing.
  • Study the Works of Photographers You Admire - One of the best ways to refine your visual voice to study the works of those you admire. When do they push the envelope, and when do they show restraint?
  • Stop Editing and Walk Away - This is a critical step, especially when working late at night. Let your eyes reset by focusing on other things, such as the outdoors during a breath of fresh air.
  • Show Others Your Work - Most of us realize that we are sometimes not the best judge of our work. Show different versions of the image to someone you trust artistically. Listen to their comments with an open mind.
  • Learn Your Visual Weaknesses - Do you tend to over sharpen or use too much clarity? Do you have a track record of opening up shadows too much and killing the highlights? Are your a saturation fiend that think if a little color is good, then lots is even better?

It's hard to show restraint sometimes. We've all been there. But keeping this guidelines in mind will help you develop a more consistent, appealing visual voice.

The Portfolio Project - Week 8 - The Directory is Live!

You can now visit our Directory of Portfolios by TDS Photographers. I will continue to add sites to this page on a weekly basis.

If you've signed up for a Portfoliobox Pro account, and have published at least one page, then send me the link to that site. Use the Contact Form on the Nimble Photographer and provide your name, the link, and the subject of the page or site you've published.

I will also maintain the link to the directory in our show notes, and I will add it to the Member Participation page on TheDigitalStory.

I love using Portfoliobox for these reasons:

  • My images look great, both on my computer and on my mobile devices.
  • It's easy to use. Without any instruction, I'm adding a high quality page in just minutes.
  • It's affordable. There's a free plan and a Pro version. The Pro version is only $82.80 per year or $8.90 per month USD, and that's before the 20 percent TDS discount.

Highlights with the Pro Plan

In addition to unlimited pages, you get a personalized domain name, web hosting, and up to 1,000 images.

Get Started Today

Just go to the TDS Landing Page to get started with your free account, or to receive the 20 percent discount on the Pro version. And if you want to see the page that I've begun, visit www.derrickstoryphotography.com.

Hands on with the Ruggard Electronic Dry Cabinet

I published a hands-on review of the Ruggard Electronic Dry Cabinet. This is a handsome and useful storage unit for photography gear and prints. It's available at B&H for $249 with free shipping. And it might be something that would look great in your office or studio.

Luminar Deep Dive Workshop

July 21, 2018 - 8:30 AM to 12:30 PM - Santa Rosa, CA Facilitators: Derrick Story and Angela Andrieux

Practically every photographer who comes to Luminar arrived from somewhere else.

Maybe you're a Lightroom user who wants to get away from the Creative Cloud subscription. Many Aperture users have been waiting for the next big thing that they can migrate to. Regardless of where you're coming from, Luminar offers both the traditional editing tools that we've come to love, plus innovation that we've never seen before... all in one affordable package.

If you're interested in the future of image editing, this workshop is for you. Derrick and Angela will show you how to apply your favorite techniques in Luminar, such as using a gradient screen to tame an overly bright sky, plus introduce you to the next generation of image editing with tools such as Accent-AI.

The four-hour workshop will be divided into 3 segments.

Session 1 - Luminar Basics: How to Accomplish Everyday Tasks

Session 2 - Traditional Techniques in Luminar: Working with Layers, Screens, Blending Modes and More

Session 3 - The New Age of Image Editing: How Luminar's New Tools will Change Your Photography

Plus, we'll provide the latest information about the Skylum Digital Asset Manager, lead Q&A sessions, and share our experiences working with the Skylum team.

If you want to explore the Luminar alternative, then this is an event you don't want to miss.

About the Facilitators

Angela a photographer, blogger, and photography coach living in Chesapeake, VA. She is a working photographer, educator, and works with Skylum, helping to facilitate their community forum. Angela provides both creative and technical support. And she truly understands the Luminar image editing process.

Derrick is a writer, photographer, teacher, and podcaster. You can follow his weekly shows on TheDigitalStory.com, as well as read his blog posts, check out his workshop schedule, and find links to his social accounts, including Instagram (DerrickStory), Twitter (Derrick_Story), and Facebook (thedigitalstory). TheDigitalStory show is also available where ever you download your podcasts. Derrick is the moderator for Skylum's Public Group on Facebook.

Workshop Fee: $69

You can register here at: our workshops page.

Updates and Such

You can become a member of our Inner Circle by clicking on this link or by clicking on the Patreon tile that's on every page of The Digital Story.

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members:

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

Portfoliobox - Create the site that your best images deserve by visiting Portfoliobox. And get a 20 percent discount by using our landing page!

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.