This is The Digital Story Podcast #608, Nov. 7, 2017. Today's theme is "My Top 5 Photo Apps of 2017." I'm Derrick Story.

Opening Monologue

Competition on the photo software space has heated up in 2017. Lightroom still maintains its "King of the Hill" status, but there are newcomers and veterans alike challenging that position. But how do you determine what's right for you? Today I will share my favorite 5 with the hope that this information will make your decision just a bit easier.

My Top 5 Photo Apps of 2017

All five of these apps are the winners. I'm not ranking them because each person has his/her own unique needs, and the program that meets those needs the best should be their top pick.

That being said, I have my personal favorites among these five. And I will share those opinions during this discussion. So let's get started.

• Lightroom - Pick your version - Excellent editing tools combined with a reasonable DAM, Lightroom has the largest support community with a bounty of how-to information and tips. Its cloud connectivity with mobile devices is excellent. And if you don't know what you need in an all purpose photo management app, this isn't a bad place to start. Good for pros and enthusiasts. Mac, Windows, iOS, and Android.
• Capture One Pro - My favorite RAW decoder in this lineup. C1 is know for its excellent, photo-like image quality, but it's also a darn good DAM as well. If you don't care about cloud connectivity and can live with the higher price tag, this app is fantastic for serious RAW photography. Good for pros and enthusiasts. Mac and Windows.
• Luminar-What started out as an innovative image editor for the Mac is now evolving into a full service application for Mac and Windows. The editing tools are outrageously good. A DAM is coming in 2018. And you can't beat the reasonable price tag. If I had to pick a dark horse contender to 2018, Luminar would be it. Good for enthusiasts and snapshooters. Mac and Windows.
• Photos for macOS High Sierra - Although it still lives in the shadow of its predecessor Aperture, the third version of Photos is quite capable. Apple RAW decoding is excellent and is tied to the OS, not the Photos app. Performance is outstanding, as is iCloud sharing and backup. If you're an iPhone shooter, Photos is a no-brainer. But it's also a good fit for enthusiasts thanks in part to the excellent lineup of editing and output extensions. Good for enthusiasts and snapshooters. Mac and iOS.
• Affinity Photo - If you want the power of Photoshop, but with a more modern UI and photographer emphasis, then Affinity is your app. Super powerful tools, great performance, good price, and a killer iOS app to boot. Good for pros and enthusiasts. Mac, Windows, and iOS.

Videoblocks - One Stop Downloading for video, audio, and images for your projects

Over the last month, I've had this ongoing conversation with a group called Storyblocks. They provide downloadable photography, video, and audio for creatives who need royalty free content for their projects. Considering that we have a community of visual artists here, I was interested in learning more.

For me personally, I'm more interested than ever in having additional movie and photo content available. As I record more video and stills with my Spark, there are gaps that I would love to fill. Footage for intros, transitions, and closing content that could augment what I've recorded.

Instead of just editing together a few clips, I could make a real movie. So I started exploring Videoblocks online library of royalty free content.

Two things happened as a result. First, there is a ton of great footage to augment my work. I'm really excited about this because I feel like this will move the ball forward for my projects. And second, the extensive library of content is also stirring my imagination for new creations. "What if I downloaded this footage here, then went and shot that, then combined them?"

This is the perfect time of year to explore Videoblocks. Take those great images and videos for your 2017 adventures, and elevate them to the next level.

Over the next few weeks, I'll be your tour guide for this site. But if you need content right now, you can join Videoblocks for $149 a year and gain access to great video, stills, and audio content. This is really a great idea...

New Benefit for TDS Inner Circle Members

Speaking of video:

Starting in December 2017, I have a great new benefit for TDS Inner Circle Members: Nimble Software Series. Each month I will post two training videos for our Inner Circle Members, covering Capture One Pro, Lightroom, Luminar, Photos for mac OS and more. Each video will run between 10 to 30 minutes, and will show you specific techniques for improving your images.

To become an Inner Circle Member, simple pledge $5 or more a month through the TDS Patreon program. Existing Inner Circle members are automatically enrolled in the Nimble Software Series, and receive their first two movies on Friday, December 1, 2017.

We have more benefits coming in 2018 for our Inner Circle Members. Join today and become part of the TDS Elite.

Updates and Such

Big thanks to all of our Patreon members!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

Texas-based Red River Paper recently announced a new fine art paper, Palo Duro Etching. The new paper is a 100 percent cotton rag paper and is free of optical brightener additives. The paper is designed to offer warm white tones, deep blacks and a subtle texture to accurately recreate traditional darkroom fine art prints.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Videoblocks - Go to videoblocks.com/digitalstory to get all the stock video, audio, and images that you can imagine for just $149. Save on millions of studio-quality clips, tracks, and graphics.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #607, Oct. 31, 2017. Today's theme is "The Thrill of Fast Primes." I'm Derrick Story.

Opening Monologue

The best news to come out of Photo Plus Expo for me was the announcement of the new Olympus PRO f/1.2 primes. But Olympus isn't the only one pushing the wide aperture envelope. Fast primes by Fujifilm and other mirrorless camera makers are boosting not only capability, but price and bulk as well. And they are to subject of today's podcast.

The Thrill of Fast Primes

Bigger optics with hefty price tags are the current trend in mirrorless cameras. In many ways, I view these new offerings as the maturation of this product category, not only for Olympus, but Sony, Fujifilm, and Panasonic too. Pros and enthusiasts alike can use these cameras and lenses for their work. Mirrorless has grown up.

What this means for me as a fan of micro four thirds, is that I have tantalizing options for lens selection. I can go compact with modest f/1.8 maximum apertures, or go super fast at f/1.2. So how do I choose? Well first let's take a look at five of these tempting lenses by our favorite manufacturers.

• Fujifilm XF 56mm f/1.2 R Lens ($899) - 85mm (35mm Equivalent), f/1.2 to f/16, 14.29 oz (405 g).
• Sony FE 85mm f/1.4 GM Lens ($1,798) - f/1.4 to f/16, 1.80 lb (820 g).
• Panasonic Leica DG Nocticron 42.5mm f/1.2 ASPH. POWER O.I.S. len ($1,597.99) - 85mm (35mm Equivalent), Aperture Range: f/1.2 to f/16, 14.99 oz (425 g)
• Olympus M.Zuiko Digital ED 45mm f/1.2 PRO lens ($1,199.00) Will be available in late Nov. 90mm (35mm Equivalent), Aperture Range: f/1.2 to f/16, 14.46 oz (410 g)
• Olympus M.Zuiko Digital ED 17mm f/1.2 PRO lens ($1,199.00) Will be available in Jan. 2018, 34mm (35mm Equivalent), Aperture Range: f/1.2 to f/16, 13.76 oz (390 g)

So now, just by way of comparison, let's pick the fast optic that I'm most interested in, the 45mm f/1.2. It measures 2.76 x 3.34" (70 x 84.9 mm) and weighs 14.46 oz (410 g). It has a 9 blade aperture. The smaller Olympus M.Zuiko Digital 45mm f/1.8 lens has a seven blade aperture, costs only $399, weighs in at 4.09 oz (116 g), and measures 2.20 x 1.81" (56 x 46 mm). That's quite a difference.

The bottom line is this, regardless if you're a nimble photographer or pro who needs the very best, mirrorless now provides options for both.

A Review of the TDS Wine Country Photography Workshop

Beautiful weather, friendly world class wineries, and amazing photographers combine for a fabulous 3-day event in Sonoma County. Here are a few of my impressions.

The Digital Story - Digital Photography Public Group on Flickr

We have more than 3,000 members and 73,000 photos on TDS Flickr Public Group. This is the gallery that I peruse on a daily basis. It's also the source for The TDS Member Photo of the Day on our Facebook page and displayed in the Member Gallery on the TDS site.

Share your favorite images there so others in our community can see them. Plus, you never know, you may be selected for the TDS Member Photo of the Day!

Updates and Such

Big thanks to all of our Patreon members!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

Texas-based Red River Paper recently announced a new fine art paper, Palo Duro Etching. The new paper is a 100 percent cotton rag paper and is free of optical brightener additives. The paper is designed to offer warm white tones, deep blacks and a subtle texture to accurately recreate traditional darkroom fine art prints.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Cascable - Cascable is the best tool available for working with your camera in the field.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #606, Oct. 24, 2017. Today's theme is "The Cloud's Silver Lining." I'm Derrick Story.

Opening Monologue

We learned last week that Lightroom becomes a cloud based app with the end of the perpetual license. I was also part of a story where cloud-based backup saved a photo library in the face of disaster. This week we look at both the dark side and silver lining of cloud-based photography.

The Cloud's Silver Lining

As Adobe moves Lightroom into the cloud, there's a fair amount of confusion about the options available to photographers. The bottom line is, that Adobe believes that cloud computing is the future, and they are embracing it.

And to some degree, I agree. I love Photos for macOS because of its seamless connectivity with iCloud. And the Luminar DAM will definitely have a cloud component.

And by the same token, the one shortcoming for Capture One Pro is its lack of cloud connectivity. Those catalogs are landlocked on hard drives. And I think they will soon have to make a move toward more fluid management of those files.

The challenge as I see it, is how do you manage the balance between files stored locally and online? Adobe and Apple seem to be doing a good job in this regard by providing us enough options to craft a workflow that suits our needs.

But this is a moving target. It's something that we have to think about and adjust as variables change. The dark side of cloud computing is often the fees and subscriptions that we have to maintain. And the silver lining can be when the cloud saves all of our work that would otherwise be lost. I have one such story to share in the next segment of the show.

iCloud and the Forever Lost Computer

As I mentioned in the previous episode of The Digital Story, my brother in law lost his house during the firestorms that hit Santa Rosa. All of his possessions were suddenly vaporized, including his Mac and iPad. His belief was that many of his important files were forever gone as well.

But there was a silver lining to this dark cloud. And Pat agreed to come on the show to discuss how cloud computing provided a ray of sunshine at the bleakest of times.

The Digital Story - Digital Photography Public Group on Flickr

We have more than 3,000 members and 73,000 photos on TDS Flickr Public Group. This is the gallery that I peruse on a daily basis. It's also the source for The TDS Member Photo of the Day on our Facebook page and displayed in the Member Gallery on the TDS site.

Share your favorite images there so others in our community can see them. Plus, you never know, you may be selected for the TDS Member Photo of the Day!

Updates and Such

Big thanks to all of our Patreon members!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

Texas-based Red River Paper recently announced a new fine art paper, Palo Duro Etching. The new paper is a 100 percent cotton rag paper and is free of optical brightener additives. The paper is designed to offer warm white tones, deep blacks and a subtle texture to accurately recreate traditional darkroom fine art prints.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Cascable - Cascable is the best tool available for working with your camera in the field.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #605, Oct.16, 2017. Today's theme is "Fire Coming Down the Mountain." I'm Derrick Story.

Opening Monologue

In the early morning hours of October 9, 2017, a wind-fueled blaze stormed into Santa Rosa, CA, roaring down the mountain from neighboring Calistoga. My family, my friends, and my cat were evacuated, not once, but three times over the following week. Here's the story about how those events unfolded.

Day 1 of the Tubbs Fire as it reaches Santa Rosa, CA. Photo by Derrick Story.

ILCP WildSpeak Coming in November

Conservation photographers from all over the world will gather again at WildSpeak 2017 in Washington D.C. I covered this event last year, and it was one of the most important conferences I've ever attended.

WildSpeak will once again take place at Carnegie Institution for Science on November 14 and 15. Presenters include top naturalists, biologists, and nature photographers who have been immersed in their particular specialities. They share their findings in a series of presentations over the two days of the event.

Plus, you'll learn how you too can participate in the world of conservation photography. Be sure to allow enough time during your visit to explore places in D.C. such at National Geographic headquarters and the Museum of Natural History at the Smithsonian.

You can learn more and register by visiting the WildSpeak site. I'll be there again this year. If you plan on attending, be sure to let me know so we can say hello.

Updates and Such

Big thanks to all of our Patreon members!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

Texas-based Red River Paper recently announced a new fine art paper, Palo Duro Etching. The new paper is a 100 percent cotton rag paper and is free of optical brightener additives. The paper is designed to offer warm white tones, deep blacks and a subtle texture to accurately recreate traditional darkroom fine art prints.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Cascable - Cascable is the best tool available for working with your camera in the field.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #604, Oct.3, 2017. Today's theme is "The Joy of LED Lighting." I'm Derrick Story.

Opening Monologue

I'm working on a series of studio portrait shoots for a project, and have been leaning heavily on my LED lights. They have been serving me well both in the studio, and on location, and I thought now would be a good time to revisit this affordable, versatile, lighting solution.

The Joy of LED Lighting

My current favorite LED light is the Genaray LED-7100T 312 LED Variable-Color Light for $189. The kit includes the light, two batteries, a diffusion panel, a charger, and a nice case.

It's portable enough for location shoots, yet powerful enough to use in a studio softbox. So I thought I would share five reasons why I'm preferring the LED array to traditional strobes.

• Continuous Lighting with a Broad Source - What you see is what you get. And the bigger panel with diffuser means I don't always need modifiers.
• Color Adjustable - All I have to do is turn a know to adjust the temperature of the output. And it's so easy to calibrate them to the ambient lighting in the scene.
• Long Battery Life - I charge the set of duo batteries before the shoot, and they last for the entire session without having to change them.
• Cool to the Touch - Even though the lights are always on, the room doesn't heat up.
• More Affordable than Most Strobes - A dedicated flash can cost $350 or more. These LED panels are less than 200, including batteries.

I still carry a flash in my camera bag with an extension cord. Because there are those times when I need the power or portability. But given a choice, I tend to reach for my LED lights whenever possible. And I love them!

ILCP WildSpeak Coming in November

Conservation photographers from all over the world will gather again at WildSpeak 2017 in Washington D.C. I covered this event last year, and it was one of the most important conferences I've ever attended.

WildSpeak will once again take place at Carnegie Institution for Science on November 14 and 15. Presenters include top naturalists, biologists, and nature photographers who have been immersed in their particular specialities. They share their findings in a series of presentations over the two days of the event.

Plus, you'll learn how you too can participate in the world of conservation photography. Be sure to allow enough time during your visit to explore places in D.C. such at National Geographic headquarters and the Museum of Natural History at the Smithsonian.

You can learn more and register by visiting the WildSpeak site. I'll be there again this year. If you plan on attending, be sure to let me know so we can say hello.

How to Shoot an Annie Leibovitz-style Group Portrait with Affordable Gear

Petapixel published this article that explains how to create amazing big group shots by breaking down the subjects into smaller groups, then compositing them together.

One way portrait photographers like Annie Leibovitz light large-scale group photos is by lighting smaller groups by themselves and then compositing everyone together into a large group. Photographer Barry Harley recently employed this technique with relatively affordable gear for a group photo with friends while on vacation.

The group had brought along outfits specifically for the photo shoot, and upon arrival, Harley decided to shoot the portrait on the main entrance stairway of the castle.

The article walks you through all of the steps with photos. It's really kind of amazing.

Updates and Such

Big thanks to all of our Patreon members!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

Texas-based Red River Paper recently announced a new fine art paper, Palo Duro Etching. The new paper is a 100 percent cotton rag paper and is free of optical brightener additives. The paper is designed to offer warm white tones, deep blacks and a subtle texture to accurately recreate traditional darkroom fine art prints.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Cascable - Cascable is the best tool available for working with your camera in the field.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #603, Sept. 26, 2017. Today's theme is "Take a Hike." I'm Derrick Story.

Opening Monologue

I've always had a love/hate relationship with the news, which is ironic for someone trained as a journalist. But there are times when I hear and see things of which I have no control, and as a result, I become disheartened. Bad news seems as intense now as ever. There are a lot of folks that I'd love to tell, "go take a hike." But maybe it's me who should hit the trail. And that's the topic for today's TDS podcast.

Go Take a Hike

One of the headlines I read today referred to The Cultural War that's going on in America. That is so deflating to me. Other troublesome words right now include North Korea, hurricanes, earthquakes, protests, acerbic tweets, healthcare, foreign intervention, and intolerance. A few of those words I can do something about. The rest of it is out of my control.

Thinking about this reminds me of something that I've learned about relationships in general. We often don't have control over the actions of others. But we do have control over our reactions to their behavior.

So, if I'm going to be useful to others, then I need to stay as balanced as possible. And the best way for me to do that is to exercise in nature. It's the perfect activity for photographers. Here are a few tips to get the most from this experience.

• Get Up Early - There are many benefits to getting out the door early. From a photography standpoint, the light is good. Beyond that, the world is quiet in the wee hours of the morning, and that soft energy is very soothing for soul. A hike a 7am is a completely different experience than at 1pm.
• Be Safe - I often travel alone. But I'm over 6'7" and weigh over 200 pounds. Not everyone has that physical advantage. So be sure to compensate accordingly. Carry a whistle. It is the most efficient communication and emergency device in nature. Dogs and friends make great trail companions. Take the necessary precautions so you can enjoy your experience outside.
• Travel Light - If I'm not just a little bit cold when I start the hike, then I know I'm going to be way too hot when I finish. Light layers, nimble camera bag, enough water to stay hydrated, are all you need for most short day hikes.
• It's Not a Race - You can go fast if you wish, but you will miss many shots, birds, flowers, and much of the joy of nature. Allow yourself to stop for pictures, admire vistas, and have a sip of water. The idea is to break the pace of our daily lives, not simply move it out to the trail.
• Keep Your Phone in Your Pocket - Unless you're using your smartphone as your camera, keep it tucked away. The Do Not Disturb feature will let calls through from your favorites, which should be friends and family. Let everything else stay on hold until you're back in civilization.

If you're lucky enough to have access to outdoor walking trails, then embrace that activity. Taking a hike won't automatically solve the world's problems. But staying healthy and balanced will put you in a better position to contribute to the solutions we need.

ILCP WildSpeak Coming in November

Conservation photographers from all over the world will gather again at WildSpeak 2017 in Washington D.C. I covered this event last year, and it was one of the most important conferences I've ever attended.

WildSpeak will once again take place at Carnegie Institution for Science on November 14 and 15. Presenters include top naturalists, biologists, and nature photographers who have been immersed in their particular specialities. They share their findings in a series of presentations over the two days of the event.

Plus, you'll learn how you too can participate in the world of conservation photography. Be sure to allow enough time during your visit to explore places in D.C. such at National Geographic headquarters and the Museum of Natural History at the Smithsonian.

You can learn more and register by visiting the WildSpeak site. I'll be there again this year. If you plan on attending, be sure to let me know so we can say hello.

Cascable Transfer with Lightroom "kas-ka-ball"

Cascable Transfer will let you copy your selected images directly from your WiFi camera to Lightroom.

I have two tips for doing this. First, set up a masters folder ahead of time called Cascable Transfer. Then import some images into it, just a few to get the wiring in order. That way you can transfer your masters to that folder when you use Cascable.

Second, if you get the runaround with the Lightroom plugin not being installed, even after you've installed it via Cascable Transfer, just open Lightroom, go to the Plugin Manager, and enable it there. Everything should work fine after that.

Cascable Transfer is a $15 app that supports WiFi enabled Canon, Nikon, Fuji, Olympus, Sony, and Panasonic cameras. It makes it easy to transfer RAW, Jpeg, or RAW+Jpeg to the Finder, Photos for macOS, or Lightroom (which I'll cover next week).

Each RAW+Jpeg pair took about a minute to transfer. Once the process was completed, my images were waiting for me in Photos. The procedure is easy. First, turn on WiFi in the camera, then connect to the network on your Mac, then launch Cascable Transfer and browse the images on the card.

This is a wonderful safety net for those times your card reader isn't available (or working) and you want to copy pictures from your camera to your laptop.

Updates and Such

Big thanks to all of our Patreon members!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

Texas-based Red River Paper recently announced a new fine art paper, Palo Duro Etching. The new paper is a 100 percent cotton rag paper and is free of optical brightener additives. The paper is designed to offer warm white tones, deep blacks and a subtle texture to accurately recreate traditional darkroom fine art prints.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Cascable - Cascable is the best tool available for working with your camera in the field.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #602, Sept. 19, 2017. Today's theme is "iPhone X and the Rise of Computational Photography." I'm Derrick Story.

Opening Monologue

If I were to place my cameras for 2018 in a line on a table moving from left to right in terms of technical sophistication, it would go something like this: Pentax Super Program SLR, Olympus PEN-F mirrorless, and iPhone X. The Pentax can compute exposure, the PEN-F can stretch high dynamic range and add effects, and the iPhone X can build an image that is a creation of light and algorithms. The iPhone leverages software to process an image that would be otherwise difficult to capture with traditional cameras. And that's the focus of today's TDS podcast.

iPhone X and the Rise of Computational Photography

Cameras have been using computing power for quite some time. My Pentax Super Program 35mm SLR was European Camera of the Year in 1983. It uses a microprocessor to evaluate light and compute automatic exposure, setting both the shutter speed and the aperture.

The PEN-F takes exposure capability to new heights, allowing me to watch a long exposure develop on its LCD screen, then providing the option to end the exposure once the image looks the way that I want. Plus it has in-camera HDR processing, Art Filters, color adjustments, and more.

But smartphones are embracing computational photography in a very sophisticated way, using software for realtime image enhancement that goes well beyond exposure. And as I examine the iPhone X, there are some remarkable features that will literally change the face of consumer photography.

First, let's define computational photography: The theory was that software algorithms could do more than dutifully process photos, but actually make photos better in the process.

"The output of these techniques is an ordinary photograph, but one that could not have been taken by a traditional camera," is how the group described its efforts at the time. (Via CBC News.)

Now let's see how all of this plays out.

• Image Sensors and Optics - The iPhone X has two new image sensors that are 12 MP each, and both camera modules are equipped with an optical image stabilizer. The wide-angle lens offers a 28mm focal length and an aperture of f/1.8, while the telephoto lens is 56 millimeters and f/2.4. In addition, there is also a quad-LED flash. The sensor is reportedly bigger and thus, can capture 83 percent more light. Assuming a crop factor of 7 and a 1/2.9-inch sensor size on the iPhone 7, this would approximately mean a 1/2.0-inch format, which would be bigger than in other current smartphones.(via AndroidPit.)
• New Algorithms - As with previous iPhone generations, there is also a portrait mode in the new iPhones, which blurs the background, but the portrait lighting function is new. Portrait lighting works by detecting the face of the photographed person in detail and simulating several types of lighting. To process these elaborate effects, Apple has equipped its new A11 SoC with a standalone image signal processor. It will furthermore assist in focusing and noise reduction.
• Impressive Video - According to the presentation, Apple divides the captured image into a total of two million squares and analyzes their content. This compresses low-detail image areas more heavily while areas that are rich in detail are preserved as much as possible. Of course, this is nothing new--video encoders also work this way--but Apple wants to be exceptionally good at it. Apple uses HEVC for its video codec and, as usual, speaks confidently about having the best video quality of any smartphone.
  60 fps is possible at the maximum resolution, 4K. Furthermore, there are now slow-motion videos at a 1080p resolution and 240 images per second, which equals a slowdown by a factor of eight when played back at 30 fps. In comparison: The Samsung Galaxy Note 8 currently achieves only 1,280 x 720 pixels at 240 fps. (via AndroidPit.)
• Powerful Front Facing Camera - The iPhone X furthermore sports a 7 MP front camera with a 3D scanner for the new FaceID feature, allowing for portrait mode, including Bokeh effect and portrait lighting, to work with selfies as well. (via AndroidPit.)
  Hidden inside the small notch cutout at the top of the iPhone X is a significant number of new camera parts and sensors that do more than just transpose your face onto an emoji cat or scan it to unlock your phone. The front-facing camera module now contains an infrared camera, flood illuminator, proximity scanner, ambient light sensor, speaker, microphone, 7-megapixel camera, and dot projector. All of that together combines into what Apple calls its TrueDepth camera, used for Animoji, Face ID, and a number of cool camera tricks.(Via The Verge.)
• A Closer Look at Portrait Lighting Mode - Apple says it "brings dramatic studio lighting effects to iPhone." And it's all done in software, of course. Here's how an Apple press release describes it:
  "It uses the dual cameras and the Apple-designed image signal processor to recognize the scene, create a depth map and separate the subject from the background. Machine learning is then used to create facial landmarks and add lighting over contours of the face, all happening in real time."
  In other words, Apple is combining techniques used in augmented reality and facial recognition to create a photo that, to paraphrase the Stanford team, no traditional camera could take. On the iPhone X, the company is also using its facial recognition camera system, which can sense depth, to do similar tricks.
  While the underlying techniques behind many of these features aren't necessarily new, faster and more capable processors have made it feasible to do them on a phone. Apple says its new phones even have a dedicated chip for machine learning tasks. (Via CBC News.)

Take all of this and add an OLED screen: The edge-to-edge display is features Apple's proprietary advantages such as the coloration and brightness-adjusting True Tone display tech and a new Super Retina moniker that means the iPhone X sports a 2436 x 1125 resolution at 458 ppi across 5.8 inches of real estate. It's also Apple's first smartphone to come HDR-ready. All this adds up to an impressive display that is clearly the top differentiator between the iPhone X and the iPhone 8. (Via The Verge.)

Cascable Transfer with Photos for macOS "kas-ka-ball"

Here's a scenario that I faced. I had captured a handful of blue hour images of San Francisco the other evening from the top of the Metreon building. I wanted to transfer a few of them to my MacBook Air 11", but I had forgotten my card reader. (There isn't a SD card slot on the 11".) Fortunately, I had Cascable Transfer loaded, so I could send my selected images directly from the OM-D E-M10 Mark II to the laptop. And the best part is, they went directly into Photos for macOS, RAW files and Jpegs alike.

Cascable Transfer is a $15 app that supports WiFi enabled Canon, Nikon, Fuji, Olympus, Sony, and Panasonic cameras. It makes it easy to transfer RAW, Jpeg, or RAW+Jpeg to the Finder, Photos for macOS, or Lightroom (which I'll cover next week).

Each RAW+Jpeg pair took about a minute to transfer. Once the process was completed, my images were waiting for me in Photos. The procedure is easy. First, turn on WiFi in the camera, then connect to the network on your Mac, then launch Cascable Transfer and browse the images on the card.

This is a wonderful safety net for those times your card reader isn't available (or working) and you want to copy pictures from your camera to your laptop.

Updates and Such

Big thanks to all of our Patreon members!

Our next Nimble Classroom focuses on Luminar Pro Techniques on Saturday Sept. 23. If you want to master this amazing image editing application, join us online for this workshop. We chat among ourselves via a Slack classroom, and I'm teaching via live video and screen sharing. It's a blast!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

Texas-based Red River Paper recently announced a new fine art paper, Palo Duro Etching. The new paper is a 100 percent cotton rag paper and is free of optical brightener additives. The paper is designed to offer warm white tones, deep blacks and a subtle texture to accurately recreate traditional darkroom fine art prints.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Cascable - Cascable is the best tool available for working with your camera in the field.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #601, Set. 12, 2017. Today's theme is "HDMI Out - The Untapped Resource." I'm Derrick Story.

Opening Monologue

I haven't shot much with my Olympus OM-D E-M5 Mark II since the PEN-F came into my life. It's not that I don't like the OM-D anymore; I love it. But the PEN-F is just so sexy. So I started thinking, "What could I use my OM-D for? What is its special talent?" Well, for one thing, it records amazing video. And it does have that HDMI port. Then it all came together. In this week's podcast I show you the wonders of my recent discovery: HDMI Out.

I Just Can't Stand My FaceTime Camera Any Longer

I've been getting by with my FaceTime camera with Skype and other streaming needs. I'm not sure why I stuck with it so long because I hate the video it produces. For one thing, it's too wide. It's too dark. And I look 10 years older than I really am. Yet, I was still using it.

This all came to an end one morning when I was testing mimoLive with my friend Oliver, the head of Boinx Software. Oliver is a very straightforward kind of guy. And when he saw the live video I was producing with his software, he commented, "What are you using? The FaceTime camera?"

I said, "Yes I am."

"Why?" he asked. "You're a photographer. You have cameras. You have lights. Use them."

He was right. But the problem was, I didn't have any experience in streaming video, only recording to the memory card in the camera. I didn't know how to connect to my Mac and an external hard drive.

Interestingly enough, at this time, elgato released a new product called Cam Link. It's a $129 interface about the size of a thumb drive that converts HDMI output from your camera to USB for your computer. I bought one immediately and started testing. And as a result, I've fallen in love with my OM-D and its HDMI port.

What Exactly Is Happening with HDMI Out?

Essentially, instead of sending visual information to your memory card, the camera redirects it out through the HDMI port. Depending on what you're connecting too, this means that you can record full HD footage directly to a hard drive, or stream it via Skype, Facebook Live, or a number of other apps and services.

This opens up a whole new world of movie making. You still have access to all of the settings and controls that you normally use on your camera, it's just that the output feed is redirected.

In my case, I'm using mimoLive to produce my Nimble Classroom series. It's essentially a TV production environment for my Mac. So I can switch between my OM-D and the FaceTime camera for the output. And the difference is night and day. For the first time in my adult life, I look OK on live stream.

I'm using the Panasonic 20mm f/1.7 lens, with the Portrait configuration, white balance, exposure compensation, and manual focusing. I have complete control over the image, and I can stream or record at 1080p at 60fps. And not a pixel goes to the memory card. It's all flowing directly to a 2 TB Western Digital hard drive.

Will Your Camera Work with HDMI Out?

There are a few simple checks you can make to see if your camera will work in scenarios like I've described.

• Look for an HDMI Port - Many cameras have HDMI out, but not all. So check your specs.
• Determine the Type of HDMI Port - There's more than one port size. And you have to figure out the port on your camera and the device that you're connecting it to. There's the standard HDMI connector, mini, and micro. Figure out what you need, then order the appropriate cable.
• Clean Output - Check your camera to ensure that it has clean HDMI output. This means that you can turn off all onscreen menu items and that you get full-size HD output. The easiest way to test this is to connect your camera via HDMI to an LCD TV and view what appears on the TV screen. If it is clean and detailed, you're good to go.
• Automatic Shut Off - Some camera automatically shut down their output after a certain amount of time. It could be 5 minutes or 30. Some allow you to adjust this via their menus. And some don't have it at all. Find out yours and determine if it will work for your needs.
• External Power Capable - If you're going to have long recording sessions, you may want to investigate external power options to extend broadcast time. As an alternative, a power grip with an extra battery might do the trick, depending on how seamlessly the camera shifts from one battery to the next.

The Elgato Cam Link works great with my E-M5 Mark II. Beware of the system requirements for your Mac or PC computer however. When it says 4th generation quad-core Intel i5 CPU or better, it means it. I tried using it with a dual core, and the image flickered. No good! You'll also need either Windows 10 (64-bit) or macOS Sierra and an USB 3 port. If you meet those requirements, however, Cam Link will open up a new world for your HDMI compatible camera.

Lifelike 3D Audio Recording Headset

Last week I promised you an audio goodie as well. This is about as cool as it gets for video recording in the field. The Lifelike 3D Audio Recording Headset is currently accepting backers on INDIEGOGO, and this affordable device is amazing.

With just these simple earbuds and your iPhone, you can record panoramic, lifelike audio to use with your videos, or as standalone files. I explain in more detail in this second segment.

Updates and Such

Big thanks to all of our Patreon members!

Our next Nimble Classroom focuses on Luminar Pro Techniques on Saturday Sept. 23. If you want to master this amazing image editing application, join us online for this workshop. We chat among ourselves via a Slack classroom, and I'm teaching via live video and screen sharing. It's a blast!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

Texas-based Red River Paper recently announced a new fine art paper, Palo Duro Etching. The new paper is a 100 percent cotton rag paper and is free of optical brightener additives. The paper is designed to offer warm white tones, deep blacks and a subtle texture to accurately recreate traditional darkroom fine art prints.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Cascable - Cascable is the best tool available for working with your camera in the field.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #600, Sept. 5, 2017. Today's theme is "6 Ways that Photography Has Changed." I'm Derrick Story.

Opening Monologue

I was composing a shot at the Santa Monica Metro Station the other night when I felt someone staring at me. I looked up and saw this man at the top of the steps with his eyes directly fixed on me. I looked back for a moment and waited for him to say something. Finally, he spoke: "We're you taking my picture?" he asked. This is the type of encounter that I'm experiencing more and more these days. And for our 600th show, I thought I'd explore 6 ways that photography has changed since I started this podcast in 2005.

Meanwhile, Back at the Santa Monica Metro Station

I paused for a moment before answering the man who had been glaring at me. His body was stiff with anger. I took a deep breath, exhaled, then replied, "I have been taking pictures here for about an hour. If you've been here during that time, you may be in some of them. I couldn't tell you for sure. But you have not been the subject of my work."

"That's freaking uncool," he spit out. "You should be ashamed of yourself."

"I'm sorry if I bothered you," I replied. "That was not my intent."

I then walked away without saying anything else. There was nothing to add to the story. I put my camera away and walked back to the hotel. The night was over.

I started thinking about all of the encounters I've experienced while working recently. And how much the act of photography has changed, as well as its perception. Some things are better, many are not. And since we're at a milestone today, show number 600, this seems like a good time to take stock of the situation.

Six Things that Have Changed

• Maturation of the Digital Workflow - In 2005, the year I began this podcast, Aperture was released by Apple, with Lightroom soon to follow. This was the next step in digital photography because it represented a true RAW workflow for all levels of photographers. Today, we have many software options and anyone can produce technically outstanding images.
• Increased Resolution, Capability, and Storage - On Flickr, I have a shot of my boys captured in April of 2005. I used a Canon Rebel XT. Canon wrote this about its camera: "The EOS Digital Rebel XT features Canon's 8.0 Megapixel CMOS (Complementary Metal Oxide Semiconductor) sensor, which captures images of exceptional clarity and tonal range and offers the most pixels in its class." It had a 1.8" LCD viewfinder with 115K dots resolution. Today I'm capturing around 20MPs with 3" LCDs at a million dots. At the same time, storage became cheaper. In 2005, hard drives were relatively expensive and cloud storage was anything but robust. Today, I can buy 3TB hard drives for about $90 and I have 200GB of Cloud backup for $2.99 a month. And all of this storage is optimized.
• More Sharing Options - (Here's where things really begin to change.) In 2004, both Facebook and Flickr launched. Twitter followed in 2006, and we didn't see Instagram until 2010 and Snapchat until 2011. The impact of these social networks has impacted photography dramatically.
• The Emergence of the Selfie - The iPhone 4 was introduced in 2010 with a front-facing camera. This single device poured gas on the self-love portrait phenomenon known as the Selfie. Combined with the emerging social networks I mentioned earlier, the tone of consumer photography shifted from an outward exploration of the world to inward reassurance. I think in many ways, the convergence of these technologies is what put us on the rails that we're riding now.
• The Devaluation of Artistic Imagery - With the improved hardware and software, little ability was required to create a technically acceptable photograph. Unfortunately, this has had an adverse affect for artists and professionals. Technically acceptable has become good enough for stock, public display, weddings, annual reports, and other business opportunities for professional photographers. Our value has diminished, as well as our ability to support our families.
• Post September 11, 2001 - All the while these other events were unfolding, the effects of 9-11 continued to surface, and to some degree, expand. Anyone taking a picture in public may be subjected to questioning by security guards, pedestrians, shop owners, and police. To my knowledge, photography did not play a role in horrific attack by terrorists, yet it somehow has suffered collaterally ever since. People are not the same in public. And hostility toward photographers has increased.

So where does that leave us? If we're not careful, we could find ourselves in a wholly unsatisfying position. Where on one hand, we have these marvelous tools. Yet the world we have to use them in is highly suspicious, inwardly facing, and satisfied with the average.

As artists and professionals, it is our role to not be content with the status quo, and to push back against hostility, narcism, and visual mediocrity.

I was back on the streets the next night in Santa Monica. The image that I captured on that second shoot featured a young mother holding her child and looking up at the lights and magic of the carnival atmosphere of the Santa Monica Pier. She was clearly happy to be there. She was enjoying it with her daughter. At that moment life was good, for all of us. And as one viewer commented on Instagram, "I can't stop looking at this picture."

For me, that shot represented the good things about my photography today. I captured the image handheld at ISO 3200, processed it in great software, and was able to share with the world on Instagram. Those are my positive takeaways. I'll deal with the other things as they come up.

Photography has changed greatly since my first podcast in 2005. There are some things I miss from then. But like that image of my boys playing basketball that I captured with the Canon Rebel XT, I will always have those pictures.

Updates and Such

Big thanks to all of our Patreon members!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

Texas-based Red River Paper recently announced a new fine art paper, Palo Duro Etching. The new paper is a 100 percent cotton rag paper and is free of optical brightener additives. The paper is designed to offer warm white tones, deep blacks and a subtle texture to accurately recreate traditional darkroom fine art prints.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Cascable - Cascable is the best tool available for working with your camera in the field.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #599, August 29, 2017. Today's theme is "5 Scenarios When Analog Makes More Sense." I'm Derrick Story.

Opening Monologue

I've been reading a lot about the Nikon D850 and what an impressive 45MP, $3,300 machine it is. I've also been following the Fuji GFX story and how the market is responding to the 51MP, $6,500 digital medium format body. The numbers made me a little dizzy. And it got me thinking about more affordable alternatives for creative photography. And that's the subject for today's show.

5 Scenarios When Analog Makes More Sense

I had coffee the other day with a customer who had purchase a Contax RTS from TheFilmCameraShop. He was in town via a road trip, and it was easier to hand over the camera rather than ship it. Kyle is a professional travel and landscape photographer. And it was fascinating to listen to the direction he's taking today.

He shoots Sony mirrorless most of the time. But he has collection of Zeiss lenses with the Contax mount that he's adapted to his digital body. "I can't describe how good these lenses are and how utterly affordable."

He was preaching to the choir. And his story is my first example of when analog makes more sense.

• Great Glass, Affordably - One of the best zoom lenses ever made is the Zeiss 35-70mm f/3.4 in the Contax mount. Pop Photo commented in their testing of it that every focal length performed like a prime lens. I bought one in pristine condition for $289. I can mount it on any mirrorless camera.
• Medium Format at a Fraction of the Price - You can buy a Hasselblad 500C with Zeiss 80mm lens and back for about $900. That's about 1/10 the cost of a digital medium format kit. Since most of us only need medium format for special assignments, this is a wonderful alternative.
• Archive for the Ages - Properly handled film has a very long life expectancy and is device independent.
• Improving Your Skill as a Photographer - It's amazing the motivation that sets in the moment you get your processed images back from the lab, and they are all over the map exposure wise. Shooting digital RAWs has made most of us lazy at capture. There is no better (and unforgiving) way to sharpen up our skills than by shooting a monthly roll of film.
• The Cameras Themselves - Many of the analog cameras I shoot with are my favorites. And because of this, I want to shoot more often with them. And as a result, I have more images at my disposal than ever before. I shoot digital at work. But analog gets me off the couch in my free time.

Using the Intervalometer for Cascable 3 "kas-ka-ball"

One of my favorite features in Cascable's Shutter Robot is the Intervalometer Module. It's both powerful and flexible, and perfect for taking full control of your time-lapse sequences. The Intervalometer is a PRO feature.

Start by setting the Interval, which can be as short as 1 second or as long as 59 minutes, 59 seconds. Then set the Stop parameter. You have three options: manually, after a fixed number of shots, or after a fixed amount to time. Once those are set, tap the Engage button, then the shutter release to begin the sequence.

Cascable is available to get started with for free from the iOS App Store. Cascable's Pro features come with a free trial when subscribing from $2 per month, or can also be unlocked with a one-time $29.99 purchase.

We have a tile on all the pages of The Digital Story that takes you directly to the TDS landing page on the Cascable site.

You Don't Always Have to Take the Shot

The story about my younger brother getting to steer the ship during an important family event.

A Look at Our First The Nimble Classroom

It was all systems go last Saturday for our first The Nimble Classroom focusing on Capture One Pro Catalog Management. Here's how it went.

Here are the upcoming sessions.

• September 9, Expert Editing, Capture One Pro
• September 23, Luminar Pro Techniques
• October 7, Photos 3 for macOS SOLD OUT
• November 4, Photos 3 for macOS

You can learn more about them and sign up for your favorites by visiting The Nimble Classroom online.

Updates and Such

Big thanks to all of our Patreon members!

B&H and Amazon tiles on www.thedigitalstory. If you click on them first, you're helping to support this podcast. And speaking of supporting this show, and big thanks to our Patreon Inner Circle members.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

Texas-based Red River Paper recently announced a new fine art paper, Palo Duro Etching. The new paper is a 100 percent cotton rag paper and is free of optical brightener additives. The paper is designed to offer warm white tones, deep blacks and a subtle texture to accurately recreate traditional darkroom fine art prints.

See you next week!

More Ways to Participate

Want to share photos and talk with other members in our virtual camera club? Check out our Flickr Public Group. And from those images, I choose the TDS Member Photo of the Day.

Podcast Sponsors

Cascable - Cascable is the best tool available for working with your camera in the field.

Red River Paper - Keep up with the world of inkjet printing, and win free paper, by liking Red River Paper on Facebook.

The Nimbleosity Report

Do you want to keep up with the best content from The Digital Story and The Nimble Photographer? Sign up for The Nimbleosity Report, and receive highlights twice-a-month in a single page newsletter. Be a part of our community!

Want to Comment on this Post?

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.