This is The Digital Story Podcast #783, March 23, 2021. Today's theme is "Hands On Review of the Fujifilm X-E4 Mirrorless Camera" I'm Derrick Story.

Opening Monologue

The FUJIFILM X-E4 is a camera that I've fallen in and out of love a dozen times since I've had it. On one hand it's compact, handsome, and powerful. On the other it lacks image stabilization and the desired number of customizable buttons. So where do I land with the X-E4? I'll reveal my verdict and more on today's TDS Photography Podcast. I hope you enjoy the show.

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Hands On Review of the Fujifilm X-E4 Mirrorless Camera

When Fujifilm announced the X-E4, I thought for sure that I was going to buy it after my review period expired. It's so compact, its controls are familiar, and the image quality could for sure be counted on. Plus, I really like the 27mm f/2.8 lens that's bundled with it.

But it isn't perfect. So before I get into my personal pros and cons, let's review its basic specs and features.

Basic Specs and Features

• 26.1MP APS-C X-Trans BSI CMOS 4 Sensor (6240 x 4160)
• X-Processor 4 Image Processor
• DCI/UHD 4K at 30 fps, Full HD at 240 fps
• 2.36m-Dot 0.62x OLED EVF
• 3.0" 1.62m-Dot 180 Degree Tilting Touchscreen
• 425-Point Hybrid AF System
• ISO 160-12800, up to 30-fps Shooting
• Bluetooth and Wi-Fi Connectivity
• Film Simulation Modes
• XF 27mm f/2.8 R WR Lens
• Same battery as the X100V

The Things that I Like

• Handsome, compact body
• Excellent resolution from the APS-C sensor
• Cool 27mm lens bundled, good sharpness and color
• Tilting LCD is very nice
• Lots of creative controls such as film simulations, manual focusing aids, vintage lens profile ability, and more
• On the fly geotagging works great with my iPhone
• Love having the same battery as my X100V
• Headphone adapter included in the box.
• USB-C port and charging is nice.

Things I Don't Like as Much

• No in-body image stabilization, and OIS lenses hard to come by
• No grips on the camera, and grip accessories add to overall cost
• Jpegs feel over processed with mushy bokeh
• RAWs are noticeably darker than image on LCD and Jpegs
• Would much prefer an f/2.0 prime
• UHS-1 card slot seems like a miss
• Lack of programmable buttons is disappointing
• Why a weather-proofed lens on a non weather-proofed body?
• No battery charger in the box
• No built-in flash nor accessory flash included
• No M-C-S switch
• Play button moved to an awkward location

I've really enjoyed shooting with the camera and the 27mm lens. And I've adapted my favorite compact Pentax HD optics as well, and the images look fantastic.

I was hoping for an interchangeable lens version of the X100V. But the X-E4 falls short of those expectations. The X100V is weatherproof, has a faster lens, more physical controls, built-in flash, hybrid viewfinder, and more rugged build. The lack of IS in the X100V isn't as big an issue because it only has the 35mm equivalent lens. And I think that the Jpegs and RAWs look better from the X100V as well.

So here's what I've decided to do. I have a review model of the Fujifilm X-S10 coming that includes 5-axis IS and a built-in flash, but for only $100 more. I'm going to test it against my X-E4 experience. But for now, I'm holding off on purchasing the X-E4. It's fun, but I think I need more for a $1,000.

If you're interested in the camera, The FUJIFILM X-E4 with 27mm lens is available now for $1,049.

How I Adapted My Pentax HD Lenses to a Fujifilm Camera

Two of my prized compact primes include the Pentax HD Pentax DA 21mm f/3.2 AL Limited and the Pentax HD Pentax DA 70mm f/2.4 Limited. Both are magnificent, and each costs about $450.

The trick was finding the right adapter. The Pentax lenses don't have an aperture ring, and their default state is stopped down. A standard Pentax-K adapter wouldn't work. I needed something specifically for DA lenses.

Fortunately, I found the wonderful Gobe Lens Adapter that not only allows me to adapt the Pentax optics to the Fujifilm camera, but it provides aperture control as well. And it's a beauty, both in design and function.

After testing the adapter, I broadened my lens kit to include the Pentax HD Pentax DA 40mm f/2.8 Limited as well. I have now quadrupled my optics kit for the X-E4 for only the price of the Gobe adapter ($26.50). And the resulting images are wonderful.

1.6 million ISO! Here's a guided tour of the upcoming Pentax K-3 Mark III

You can read the entire article on Digital Camera World.

UPDATE: Ricoh Imaging has given users a guided tour of the Pentax K-3 Mark III, its long-gestating APS-C flagship camera.

Despite confirming in February that the body has been delayed, Ricoh is keeping the Pentax K-3 Mark III flame alive with this 20-minute deep dive into the new camera's capabilities - including its top sensitivity of 1.6 million ISO.

Ricoh product planner Shigeru Wakashiro gives a top-to-bottom overview of the Mark III, taking in everything from the new image sensor to the improved optical viewfinder. If you ever wanted reassurance that the DSLR isn't dead despite the mirrorless revolution, Wakashiro might make a believer out of you.

Check out the full video below - and don't forget to hit the subtitles / closed caption (unless you understand Japanese!).

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop - April 21 to May 15, 2021: The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But now I've posted a second session that begins April 21, 2021. If you're interested in attending, just go to catalog page.

PS: Looks like a second session of the Infrared Photography Workshop is coming as well. Tune in next week for more details.

My Writing on Medium.com: I now have more than 25 published articles on Medium.com. And if you haven't visited the site, and enjoy good writing on a variety of topics, I suggest that you may want to take a look. You can just go to the home page and enter "Derrick Story" in the search field. And if you like what you read, then follow me!

EV Explorers for Those Who Are Interested in Electric Cars: I've created a new group on DerrickStoryOnline titled EV Explorers. The tagline for this group is: "Bringing Curiosity and Nimbleosity to the World of Electric Vehicle Transportation." Here we can share information, tips, discoveries and more about using electric vehicles for our photography adventures. If you want to join this group, click on this link for an invite. We're going to keep this as a private group for now, but you are invited to join us.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #782, March 16, 2021. Today's theme is "Do I Really Need All Those Photo Subscriptions?" I'm Derrick Story.

Opening Monologue

A reminder for my upcoming SmugMug subscription renewal arrived yesterday saying that I could lock-in the low rate of $85 if I pay for an entire year. Since the pandemic, I haven't used SmugMug once because I'm not doing client shoots. And it got me thinking about the rest of my annual charges. I think it's time to take stock of all my photo sharing subscriptions. And that's the focus of today's TDS Photography Podcast. I hope you enjoy the show.

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Do I Really Need All Those Photo Subscriptions?

I think part of what I had to deal with concerning this project was acknowledging that I'm not the same photographer I was at the beginning of 2020. Most of my assignments are created by me for my blog posts, LinkedIn Learning trainings, Medium articles, and workshops.

I really don't need models anymore because I still can't interact with them, and I don't need sites to manage online galleries for those models and clients. Things have really changed. And the SmugMug renewal notice brought all of this home.

So here's what I've been working on. The subscriptions I've decided to discontinue, I've been downloading all of my content off them in preparation to end the service. I had to start this ahead of time to allow the days required to ensure I got everything.

Looking back over the last 10 years of work, I was amazed at how much content I had online. With SmugMug, for example, it was gallery after gallery that I downloaded. But I did so one at a time so I could organize the work on my backup hard drive. I just chip away at it while working on other projects.

So, what did I keep, and what did I let go? Let's take a look.

• SmugMug - Let Go $85 a year - I really like SmugMug, and it was my go-to service for client password-protected galleries. Their organization, features list, and rendering are terrific. But I just don't do that work anymore, and it doesn't make sense to pay them $85 a year to archive that content. I've moved it all offline on to my backup hard drives.
• Flicker Pro - Keep $59 a year - Fortunately, SmugMug bought Flickr, so they still get some of my money. I'm keeping Flickr because it's cheaper, more versatile, and I have a deeper history of images there. Plus, we have the TDS Online Community on Flickr that I love, and draw images from for the TDS Member Photo of the Day. Flickr stays. (You might want to check out The Digital Story Public Group on Flickr where we have more than 80,000 images by TDS members. It's great!)
• Adobe Photography Plan (20GB) - Keep $9.99 a month - I like Lightroom and love having access to the latest Adobe photography features with this plan. I don't keep it for the storage, rather for the apps. And I appreciate them keeping the price stable over the years.
• Model Mayhem - Let Go $35 every 6 months - I have met many terrific people via Model Mayhem and hundreds of wonderful photographs have resulted. But again, my life is different now. I ended my subscription.
• Dropbox Plus 2TB - Keep $119 a year - Even though Dropbox is more than a photography plan, I use it mainly for that. And because of its versatility and popularity, it has keep its relevance even in this new chapter of my career. My online clients use it, and I need it as much as ever.
• iCloud 2TB - Keep $9.99 a month - If I had to keep just one cloud storage service, it would be iCloud. Since I'm in the Apple ecosystem, this services manages all the work I do on my Mac, including my photos. I wish they had a level in-between 200 GB (which isn't enough) and 2 TB (which gives me lots of head room). Regardless, it's a keeper for me.

So, I've managed to trip 1/3 of my services in 2021. I'll review everything again in 2022 and go from there. Who knows what my world will be like by then?

The Vanagon is Gone!

I know this is a story near and dear to many hearts in our community, but I've sold the Vanagon that I used for workshops over the years, a vehicle filled with 20 years of fond memories.

I've been working on it since that one miserable hot summer day a few years back when I had to have it towed from SF to Santa Rosa. I had feared that she died that day. But like a Phoenix from the ashes, she came back to full functionality. Of course, this included hours of my sweat equity combined with a few trips to Hans in Sebastopol.

And on the day that I handed over the pink slip to a young German pre-med student and his girlfriend, she was running like a top. I honestly had a lump in my throat watching her drive away.

Fortunately, Vanagons retain an excellent resale value on the used market, and the cash payment for my 1990 will be a sizable part of the downpayment for my new all-electric VW ID.4 5 passenger SUV.

This begins a new chapter in my road trip adventures. I'll be using the ID.4 for upcoming workshops and my ongoing exploration of the world.

I placed my reservation back in February, and was able to place the order just last week. So the new car is currently being built, and I should be behind the wheel by late April. I'll keep you posted!

Adobe Photoshop's 'Super Resolution' Made My Jaw Hit the Floor

You can read the entire article on Petapixel.

Adobe just dropped its latest software updates via the Creative Cloud and among those updates is a new feature in Adobe Camera Raw (ACR) called "Super Resolution." You can mark this day down as a major shift in the photo industry.

I have seen a bit of reporting out there on this topic from the likes of PetaPixel and Fstoppers, but other than that the ramifications of this new feature in ACR have not been widely promoted from what I can see. The new Super Resolution feature in ACR essentially upsizes the image by a factor of four using machine learning, i.e. Artificial Intelligence (AI).

What does this mean practically? Well, I immediately tested this out and was pretty shocked by the results. Though it might be hard to make out in the screenshot below, I took the surfing image shown below, which was captured a decade ago with a Nikon D700 -- a 12MP camera -- and ran the Super Resolution tool on it and the end result is a 48.2MP image that looks to be every bit as sharp (if not sharper) than the original image file. This means that I can now print that old 12MP image at significantly larger sizes than I ever could before.

What this also means is that anyone with a lower resolution camera, i.e. the current crop of 24MP cameras, can now output huge image files for prints or any other usage that requires a higher resolution image file. In the three or four images I have run through this new feature in Photoshop I have found the results to be astoundingly good.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop - April 21 to May 15, 2021: The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But now I've posted a second session that begins April 21, 2021. If you're interested in attending, just go to catalog page.

My Writing on Medium.com: I now have more than 25 published articles on Medium.com. And if you haven't visited the site, and enjoy good writing on a variety of topics, I suggest that you may want to take a look. You can just go to the home page and enter "Derrick Story" in the search field. And if you like what you read, then follow me!

EV Explorers for Those Who Are Interested in Electric Cars: I've created a new group on DerrickStoryOnline titled EV Explorers. The tagline for this group is: "Bringing Curiosity and Nimbleosity to the World of Electric Vehicle Transportation." Here we can share information, tips, discoveries and more about using electric vehicles for our photography adventures. If you want to join this group, click on this link for an invite. We're going to keep this as a private group for now, but you are invited to join us.

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #781, March 9, 2021. Today's theme is "A Growing Interest in Fixed-Lens Cameras" I'm Derrick Story.

Opening Monologue

Whether it's a super-compact Sony RX-100, a handsome Canon G5X, or a posh Leica Q2, fixed-lens cameras are more and more part of the conversation among photographers who want to combine imaging power with portability. On today's show, we'll examine some of the thinking behind their popularity and my recommendations if you're in the market for one yourself. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

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A Growing Interest in Fixed-Lens Cameras

One of the most popular questions during the recent iPhone Pro Workshop was inquires about great fixed lens cameras to complement an advanced smartphone (itself a fixed-lens device). The thinking being, I really like my iPhone, but I also want an excellent digital camera. And if I don't have to buy a bunch of lenses and accessories, I can spend a bit more on the camera itself.

That perfectly reasonable thinking. Another viewpoint was" "I already have an interchangeable lens system that I like. I don't plan on starting over. But I would like a more compact camera for those times I don't want to lug my system around." Yet another common sense approach.

There is something appealing about a camera that only needs a spare battery as a accessory. It's easy to grab on the way out the door, stash in your jacket pocket, and call it a day.

Plus, there are some great cameras to choose from. Here are my five favorite fixed lens models, ranging from the most expensive to downright affordable.

• Sony Cyber-shot DSC-RX1R II $3,298 - The Sony RX1R gets the nod over the Leica Q2 because of its more versatile 35mm Zeiss lens (compared to 28mm), lower price tag (compared to $4,995), and tilting LCD. This is a beautiful full frame 42MP camera that will be used and cherished for years to come.
• Fujifilm X100V $1,399 - I think Fujifilm comes closest to the Leica rangefinder look and feel of any competitor, but without the steep price tag. Start with the Hybrid 0.52x OVF with 3.69m-Dot OLED EVF, add an impressive 35mm equivalent f/2 lens, tilting LCD, and a 26.1MP APS-C X-Trans BSI CMOS 4 Sensor, and you have an impressive work of art that happens to take great pictures.
• Sony Cyber-shot DSC-RX100 VII $1,298 - If you want a more versatile zoom, then the RX100 is a top quality choice. Its 24-200mm Zeiss optic has a maximum aperture of f/2.8 at the wide end. Plus you get a 20.1MP 1" Exmor RS BSI CMOS Sensor, popup EVF, tilting LCD, and Fast Hybrid AF System with 315 Phase-Detection Points - all packed into a compact package that you can stash in your front jeans pocket.
• Ricoh GR III Digital Camera with GW-4 Wide Conversion Lens Kit $1,149 - This super-compact and discreet GRIII provides plenty of punch with its 24.2MP APS-C CMOS sensor with a fast f/2.8 28mm prime lens with image stabilization. You don't get a tilting LCD or integrated flash, but you do get an accessory 21mm wide lens for some very exciting imagery, especially in the urban environment.
• Canon PowerShot G5 X $899 This handsome, compact Canon is a great deal. For $700, you get a 20.2MP 1" CMOS sensor, 24-120mm zoom lens with a maximum aperture of f/1.8 at the wide end, terrific image stabilization, tilting LCD and pop up EVF, plus in-camera charging. -

There are other excellent contenders such as the Panasonic Lumix DC-LX100 II ($797) that didn't make the top five for features such as a fixed LCD, that may not be an issue for you. Any of these choices would make an excellent single-camera companion to your smartphone, and provide lots of enjoyment along the way.

My Writing on Medium.com

I now have more than 25 published articles on Medium.com. And if you haven't visited the site, and enjoy good writing on a variety of topics, I suggest that you may want to take a look. You can just go to the home page and enter "Derrick Story" in the search field. And if you like what you read, then follow me!

Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop - April 21 to May 15, 2021

The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But now I've posted a second session that begins April 21, 2021.

If you're interested in attending, just go to catalog page.

In this workshop you will explore:

• Working with just one digital camera and an iPhone.
• Taking advantage of a versatile fast prime lens on your digital camera and using iPhone for additional focal lengths.
• Perfecting a RAW workflow with the iPhone.
• Leveraging Apple ProRAW for those who have iPhone 12 Pro.
• Building a kit that allows you to travel lighter without compromising capability.
• Post processing tips and techniques using Photos on Mac, iPad, and iPhone.
• Investigating other software and workflows to augment your imaging prowess.

You can sign up by visiting the workshop catalog page.

Sennheiser MKE 200 review

You can read the entire article on Digital Camera World.

The Verdict: The Sennheiser MKE 200 is an instant upgrade microphone that will level up your camera or smartphone audio recording. For novices looking to match it with their mobile, Sennheiser doesn't offer the suite of solutions Shure does with the pricier MV88+ -- a mount, mini tripod, and an app to manage audio recording. What saves the MKE 200, therefore, other than its value is that it also doubles up as a DSLR or mirrorless camera microphone, and works a treat at improving audio capture at a relatively low cost.

Pros: Instantly upgrades audio capture quality, Battery-free solution, Smartphone and camera support. Cons: Confusing front to back design, No on-body gain control.

Compact, the Sennheiser MKE 200 weighs just 48g, and measures 69 x 60 x 39mm. No batteries required, it's a plug and record solution, and it's totally fuss-free. There aren't any gain control settings on the mic, it's available in black and black alone, and the one visual flourish comes in the form of its blue coiled cables.

The Sennheiser MKE 200 attaches to a cold shoe adapter, which makes it ideal for DSLRs and mirrorless cameras. Smartphone users will want to pick it up with a phone mount sporting one, so factor that into the cost of your microphone setup. Alternatively, you can thread the mic onto a tripod, so if you have a dual tripod mount, you could also be sorted.

EV Explorers for Those Who Are Interested in Electric Cars

I've created a new group on DerrickStoryOnline titled EV Explorers. The tagline for this group is: "Bringing Curiosity and Nimbleosity to the World of Electric Vehicle Transportation." Here we can share information, tips, discoveries and more about using electric vehicles for our photography adventures.

If you want to join this group, click on this link for an invite. We're going to keep this as a private group for now, but you are invited to join us.

I'll be sharing my story of going through the process of buying the VW ID.4. We're also going to talk about travel tips with EVs, and the different models available in 2021 including Tesslas, the Ford Mustang Mach, the Bolt EUV, and emerging car manufacturers as well.

As the group and our knowledge grows, we'll see where this takes us. I'm sure we'll have meetups and workshops that focus both on EV travel and photography. I have secured the domain EVexplorer.com if a dedicated website seems appropriate. Really, there is no limit to this.

The bottom line is that we've been a part of the photography revolution that has moved us to smartphones and mirrorless cameras. Now it's time for the automobile revolution to get us where we want to go without killing the very planet we want to enjoy.

If this sounds appealing to you, then join us at EV Explorers.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #780, March 2, 2021. Today's theme is "My Impressions of Online Workshops" I'm Derrick Story.

Opening Monologue

Having just completed my fourth online workshop since the pandemic began, I'm starting to get a feel for the strengths and weaknesses of this approach. In today's TDS Podcast, I share my recent experiences and look forward to the evolution of how photographers will work together in the future. I hope you enjoy the show.

Tune-In Via Your Favorite Podcast App!

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My Impressions of Online Workshops

It was 8:30 AM this past Saturday morning when I sat down at the iMac that rests on a folding table in what used to be my portrait room at the studio. Like a pilot preparing for takeoff, I began the sequence of checking network download and upload speeds, USB audio, camera settings, and Zoom itself. By 8:45 I was feeling relatively confident that I was prepared for a day of workshop presentations.

At 8:55, the first handful of participants began to appear in my Zoom window. At this point, folks are often adjusting their cameras, organizing their work surface, and preparing for the day ahead.

Like any live performance, nobody knows exactly what to expect. Each photographer has 8 images to present and discuss. But in addition to that anticipation, there are a myriad of technical considerations that have to work well for the day to be a success.

And indeed it was! By 3 PM everyone had shared their work and we settled in to a few minutes of relaxed conversation. You could tell there was a shared sense of accomplishment, not only for the presentations themselves, but for the fact that we pulled off this magical experience with participants from California, to Florida, and across the pond - all at the same time.

We talked about the nature of workshops going forward. And most of us, myself included, believe that the online experience is here to stay. Maybe it would be exactly in the form that it is right now, but there are many good takeaways that can be applied to our work going forward.

Based on those experiences, here's my impression of online workshops and the path going forward.

• We're All Better at Zoom - One of the improvements to come out of 2020 is the higher quality of interactions online. Lighting, audio, and timing have improved greatly with Zoom meetings.
• People Who Could Never Attend Our Workshops Before Can Now - The financial investment is radically different when you consider travel costs, lodging, and meals. And because online events are far more affordable, I'm meeting community members that I might not have otherwise.
• More Time for Instruction and Photo Assignments - We might not be in exotic locations, but the tradeoff is we have more time to work on our assignments, and get feedback along the way.
• Meeting People on Zoom is Different than in Person, However - On one hand, it's fun seeing the different home environments, on the other, there's still nothing like sitting around a big table and sharing a meal.
• We Now Have an Online Space for Our Workshops - I would like to think that at some point I would have created DerrickStoryOnline, but the fact is that I had not until the Pandemic.

Moving forward, I'm really excited about our events. We now have a well-oiled machine for those topics that work great online. Plus, I can add a whole new dimension to our physical events with Zoom preparation meetings, online sharing, and post-workshop follow up.

I must admit, I'm a little surprised at this silver lining for our workshop gatherings. And I think the 2022 season is going to be fantastic as a result.

Follow Up Note: One of our recent workshop participants, William Porter, posted a review of the TDS iPhone event on his blog. If you would like a user perspective, check out IPHONE PHOTOGRAPHY WORKSHOP. Cheers!

Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop - April 21 to May 15, 2021

The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But now I've posted a second session that begins April 21, 2021.

If you're interested in attending, just go to catalog page.

In this workshop you will explore:

• Working with just one digital camera and an iPhone.
• Taking advantage of a versatile fast prime lens on your digital camera and using iPhone for additional focal lengths.
• Perfecting a RAW workflow with the iPhone.
• Leveraging Apple ProRAW for those who have iPhone 12 Pro.
• Building a kit that allows you to travel lighter without compromising capability.
• Post processing tips and techniques using Photos on Mac, iPad, and iPhone.
• Investigating other software and workflows to augment your imaging prowess.

You can sign up by visiting the workshop catalog page.

The Best Cloud Storage Platforms for Photographers in 2021

You can read the entire article on Petapixel.

As another year of taking photos rolls on, having enough storage is yet another thing on every photographer's checklist. Thanks to the cloud, we can have another layer of security and enjoy the convenience of accessing our photos anywhere as long as we have an Internet connection.

Those who are frequently using free cloud storage platforms as an extra back-up may already know that they will soon have one less option. Google Photos will stop providing unlimited free photo back-ups on June 21st. Past the 15 GB mark, you'll need to pay for a Google One subscription starting at $1.99 per month for 100 GB. If you need more space, you can get 200 GB for $2.99 per month, 2 TB for $9.99 per month, and 30 TB for $149 per month.

The lowest tier doesn't sound so bad until you get to the part that apart from photos, other files like Google Docs, Sheets, Slides, and Forms will also be counted in the storage caps starting on June 1st. If you're a heavy user of these platforms and frequently store your photos, or if you need them for a secure long-term backup of your entire photo archive, you will likely find yourself needing to purchase extra space through the years.

If you don't need that much space yet or just need a temporary back-up for your extra photos, of course, there are still some remaining free options. We say temporary because these free services come with caveats like file type limitations and small storage allocation. Still, a good number of these platforms also offer options for upgrades once you're ready to pay for extra space and useful features.

EV Explorers for Those Who Are Interested in Electric Cars

I've created a new group on DerrickStoryOnline titled EV Explorers. The tagline for this group is: "Bringing Curiosity and Nimbleosity to the World of Electric Vehicle Transportation." Here we can share information, tips, discoveries and more about using electric vehicles for our photography adventures.

If you want to join this group, click on this link for an invite. We're going to keep this as a private group for now, but you are invited to join us.

I'll be sharing my story of going through the process of buying the VW ID.4. We're also going to talk about travel tips with EVs, and the different models available in 2021 including Tesslas, the Ford Mustang Mach, the Bolt EUV, and emerging car manufacturers as well.

As the group and our knowledge grows, we'll see where this takes us. I'm sure we'll have meetups and workshops that focus both on EV travel and photography. I have secured the domain EVexplorer.com if a dedicated website seems appropriate. Really, there is no limit to this.

The bottom line is that we've been a part of the photography revolution that has moved us to smartphones and mirrorless cameras. Now it's time for the automobile revolution to get us where we want to go without killing the very planet we want to enjoy.

If this sounds appealing to you, then join us at EV Explorers.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #779, Feb. 23, 2021. Today's theme is "Exploring the World of Electric Vehicles and Photography" I'm Derrick Story.

Opening Monologue

Going back to our roots in nimble photography, the thinking has always been, "travel lightly and take only pictures." Now, as we begin to think about post-pandemic exploration, the world of electric vehicles has become very interesting. And combining emissions-free travel with nimble photography feels like a match made in heaven. I hope you enjoy the show.

Exploring the World of Electric Vehicles and Photography

Like many of the lightening bolts that have struck me, this concept is the result of ideas and situations. Today I'm going to explain how this all came about, and where it's going from here.

I've been interested in EV for some time. Many of you know that I'm on the notification list for the Volkswagen Buzz, their reimagined bus that's all electric.

My thinking has been that I'm going to sell my 1990 VW Vanagon to help with the down payment for the Buzz. However, due to the pandemic, VW has slowed their plans for the bus and decided to move forward with a new SUV/Crossover body design called the ID.4.

They notified me about the reservation system that was in place for the ID.4. I really liked what I saw, and have since begun the process of buying one. I should have it this year.

Next came the notion of what I'm going to do once we emerge from the pandemic. Yes, I will fly when necessary, but I'm thinking more of road tripping for my photography adventures. I've been fine-tuning my self-contained travel approach on road trips to visit my mom in Southern California. I've discovered that I can travel without interaction or physical contact with other people. I just need a bigger car than my Audi A3.

About this time, the movie Nomadland was released starring Frances McDormand. The film takes us inside the lives of those who choose to live in their tricked out vans and RVs. Even though I don't want this for my everyday life, I am interested in approach for my photography adventures.

And finally, I feel like I need to take the next step toward helping this planet survive. My brother-in-law is about to embark on a home solar project that I'm going to shadow to absorb as much knowledge as possible. If I could install a smaller version of his project for charging the EV, then my transportation would be totally green.

This brings us to a new group that I've opened up at DerrickStoryOnline titled EV Explorers. The tagline for this group is: "Bringing Curiosity and Nimbleosity to the World of Electric Vehicle Transportation." Here we can share information, tips, discoveries and more about using electric vehicles for our photography adventures.

If you want to join this group, click on this link for an invite. We're going to keep this as a private group for now, but you are invited to join us.

I'll be sharing my story of going through the process of buying the VW ID.4. We're also going to talk about travel tips with EVs, and the different models available in 2021 including Tesslas, the Ford Mustang Mach, the Bolt EUV, and emerging car manufacturers as well.

As the group and our knowledge grows, we'll see where this takes us. I'm sure we'll have meetups and workshops that focus both on EV travel and photography. I have secured the domain EVexplorer.com if a dedicated website seems appropriate. Really, there is no limit to this.

The bottom line is that we've been a part of the photography revolution that has moved us to smartphones and mirrorless cameras. Now it's time for the automobile revolution to get us where we want to go without killing the very planet we want to enjoy.

If this sounds appealing to you, then join us at EV Explorers.

Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop - April 21 to May 15, 2021

The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But now I've posted a second session that begins April 21, 2021.

If you're interested in attending, just go to catalog page.

In this workshop you will explore:

• Working with just one digital camera and an iPhone.
• Taking advantage of a versatile fast prime lens on your digital camera and using iPhone for additional focal lengths.
• Perfecting a RAW workflow with the iPhone.
• Leveraging Apple ProRAW for those who have iPhone 12 Pro.
• Building a kit that allows you to travel lighter without compromising capability.
• Post processing tips and techniques using Photos on Mac, iPad, and iPhone.
• Investigating other software and workflows to augment your imaging prowess.

You can sign up by visiting the workshop catalog page.

Huawei announces foldable Mate X2 smartphone with Leica-branded cameras

You can read the entire article on Petapixel.

The Huawei Mate X2 is co-engineered with Leica, building upon an existing relationship between the two companies. The rear of the device features a Leica-branded camera array. The smartphone includes a 50MP Ultra Vision Camera, RYYB telephoto, 100x digital zoom, and a 2.5cm macro lens. The Ultra Vision camera is wide-angle, includes optical image stabilization, and has a maximum aperture of F1.9. The 16MP Cine Camera (ultra-wide angle) has an F2.4 aperture and includes OIS. The 3x camera has a 12MP sensor, an F2.4 aperture, and OIS. The 10x optical zoom camera, dubbed SuperZoom, has an F4.4 aperture, OIS, and additional support autofocus.

In terms of additional features, there is 100x digital zoom and hybrid zoom. Autofocus is phase focus and contrast focus. The camera includes numerous photography modes, such as Night, Macro, Portrait, Pro, Slow-Mo, Panorama, Light painting, HDR, and much more. The Mate X2 records 4K UHD video. The device can also record Full HD video at up to 960 frames per second.

The Huawei Mate X2 will go on sale in China later this week. The 256GB model will cost 17,999 yuan (which is just under $2,800 USD). The 512GB version will cost 18,999 yuan (around $2,950). The Mate X2 will be available in black, white, blue and pink color options. There's no word yet on availability outside of China. To learn more about the Mate X2, visit Huawei.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #778, Feb. 16, 2021. Today's theme is "Tapping iPhone Video and the Settings You Need to Know" I'm Derrick Story.

Opening Monologue

As good as the pictures are from the latest iPhones, you could argue that the video is even more impressive. But those files also have a greater impact on your device than stills. Today we take a look at the marvelous movies we can capture, and how to do so creatively and wisely. I hope you enjoy the show.

Tapping iPhone Video and the Settings You Need to Know

If you're primarily a stills photographer, it's easy to overlook Video and SLO-MO in your camera app. Part of the reluctance could be that you don't really know what you're going to get when you tap the record button.

And to tell you the truth, if you haven't explored the Camera Settings, you're right. You could be recording a whole bunch of stuff that is way beyond what you need or could easily use. So let's take a closer look at the Camera Settings to ensure that you're ready to go the next time a great movie opportunity presents itself.

Settings to Note on an iPhone 12 Pro

Let's start with the iPhone 12 Pro because it's the latest and most capable movie making device. First go to Settings > Camera, and let's review the top section.

• Record Video - There are 6 options here ranging from 720p at 30 fps to 4K at 60 fps. Apple also lists how much space a minute of video will require at each setting, ranging from 45 MB per minute at 720p to 440 MB per minute at 4K 60fps. For most applications, I recommend a middle ground of 1080p at 30 fps, which gives you great quality at only 65 MBs per minute.
• Record Slo-Mo - There are two options here: 120 fps or 240 fps. And again, the file sizes differ substantially with 120 fps using 170 MBs per minute vs 480 MBs per minute for 240p. Plus, I think 240p is too slow for many uses. Set your default to 120p.
• Record Stereo Sound - Yes. The file size difference isn't that great, but the stereo audio can be far more interesting.
• Preserve Settings - If you know you're going to be shooting video primarily that day, I would turn this on so the Camera app returns automatically to video.

Techniques to Keep in Mind

Be methodical in your camera movements while recording. In movie making, you want the action to provide the movement, not the camera man. If you do need to pan, do so slowly and gracefully.

Capture vertically and horizontally when possible. We tend to prefer one orientation over the other, but unless you know exactly how the video will be used, it's good to record both ways.

You can change video recording rates on the fly by tapping in the upper righthand corner. So even if your default is HD at 30 fps, but there will be lots of action in that clip, then you can switch to HD at 60 fps just by tapping.

The video light can be very helpful. I use it as both a fill light and a main light, depending on the situation. I prefer it greatly as a fill light, however. You can turn it on and off by tapping in the upper left corner.

You can switch cameras while recording, but keep in mind that these are cuts without any transitions as you move from camera to camera. But this technique can be useful if used properly.

Once you start recording, a "stills button" appears on the screen that allows you to take full resolution pictures without disrupting the video capture.

You can now edit your movies in Photos for macOS Big Sur without having to launch a separate movie editing app. If you are using iCloud, they will automatically show up there. You can also adjust them in Photos for iOS on your iPhone.

Becoming familiar with these settings and techniques will help you be more confident recording movies with your iPhone. And as you gain confidence, your creativity will grow as well.

Happy movie making!

Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop - April 21 to May 15, 2021

The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But now I've posted a second session that begins April 21, 2021.

If you're interested in attending, just go to catalog page.

In this workshop you will explore:

• Working with just one digital camera and an iPhone.
• Taking advantage of a versatile fast prime lens on your digital camera and using iPhone for additional focal lengths.
• Perfecting a RAW workflow with the iPhone.
• Leveraging Apple ProRAW for those who have iPhone 12 Pro.
• Building a kit that allows you to travel lighter without compromising capability.
• Post processing tips and techniques using Photos on Mac, iPad, and iPhone.
• Investigating other software and workflows to augment your imaging prowess.

You can sign up by visiting the workshop catalog page.

Apple M1 Mac mini Review: The Best Mac for Most Photographers

You can read the entire article on Petapixel.

Apple Silicon is the future of Mac computers, and the M1 Mac mini already delivers enough graphics and CPU performance for the majority of photographers. Here are the Pros.

• Fastest Apple Silicon Mac (as of this writing)
• Cheapest Apple Silicon Mac (as of this writing)
• Full speed Thunderbolt/USB-4
• Can power a 6K display at 10-bit color and 60Hz
• Minimalist, out-of-the-way design

On the downside...

• Not portable
• Peripherals not included
• Middling GPU performance
• Only two TB4 and USB Type-A ports
• HDMI 2.0 (not 2.1)

There's an elephant in the room at every M1 Mac review, and it's the fact that these are 1st generation devices. The M1X or M2 or whatever comes next will be better, and Apple will definitely put more GPU performance into the rumored Apple Silicon iMac, 14-inch MacBook Pro, and 16-inch MacBook Pro. But here's the thing: for photographers and photo editing, these things will suffer from the law of diminishing returns.

Additional GPU performance costs money, a nice iMac or MacBook Pro display costs money, and the additional CPU performance or RAM baked into the next generation Apple Silicon will also probably cost you some extra money.

If you're running a professional studio, that might be an investment worth making. But for the rest of us, for most of us, if you want to do your photo editing in the Apple ecosystem, the M1 Mac mini hits that sweet spot of price-to-performance that is so rare for Apple computers.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #777, Feb. 9, 2021. Today's theme is "Protect Your Camera Gear from Theft" I'm Derrick Story.

Opening Monologue

Smash and grab is becoming more commonplace, and we can't take anything for granted when it comes to protecting ourselves and our cameras. On today's show I will share a few real life stories to illustrate this point, then review the steps we can take to circumvent criminal acts against us. Thanks for joining me.

Protect Your Camera Gear from Theft

I want to begin by sharing a couple stories that illustrate how bold thrives have become.

Gas Station Smash and Grab

After our Bodega Bay workshop in 2019, one of our photographers stopped at a gas station on his way to the airport. His camera gear was in the back of a rental SUV that he locked when he went inside to get a couple things.

In just those few minutes, thieves smashed the back window of his rental and took all of his gear.

Photographers Robbed While Stuck in SF Traffic, Lose $7,000 in Camera Gear

As reported on Petapixel.

This may be the modern-day equivalent of a stagecoach robbery: a pair of photographers were just brazenly robbed while they were sitting in traffic in San Francisco. Robbers smashed their rear window and stole a bag filled with $7,000 in gear, and it was all caught on camera.

ABC7 reports that husband-and-wife real estate photographers Ben and Masha of Home Shots were waiting to get onto the Interstate 80 onramp at around 4:30 p.m. on Friday afternoon after finishing a photo shoot near Dolores Park.

As the video above shows, a dark Honda then pulled up alongside the photographers' Prius. A man jumped out, quickly smashed the rear window, grabbed the equipment bag that was in the trunk, hopped back in the car, and sped off.

The whole incident lasted about 10 seconds from start to finish, and it was caught on camera from behind by a Tesla driver named Alex, who then pulled over and exchanged contact info with the photographers.

Masha, who had been driving the car, had noticed the dark car following them after they had left the photoshoot.

Ben estimates that his stolen gear, which included a camera, lens, drone, and gimbal, was worth around $7,000.

Robbers Target Photo Shoot in San Diego Park, Shoot Man in Struggle

As reported on Petapixel.

A man was shot in a San Diego park this weekend after a group approached and attempted to steal the camera equipment being used.

FOX 5 reports that a 25-year-old man and a 24-year-old man were doing a photoshoot at around 6:49 p.m. on Saturday in Chicano Park of the Barrio Logan neighborhood when they were approached by six young people -- three males and three females in their late teens or early twenties.

When the group attempted to steal the gear, the two men fought back.

"A struggle ensued and during the struggle, one of the male suspects pulled out a gun and shot multiple rounds at the victims," San Diego Police Officer Robert Heims tells FOX 5.

Luckily, both of the victims escaped with their lives -- the suspects shot the 24-year-old in the lower abdomen and gave the 25-year-old a bloody lip before getting into a black Honda sedan and driving away. The gunshot victim was taken to an area hospital with a wound that isn't considered to be life-threatening.

San Diego gang detectives are now investigating the attempted robbery and assault.

Steps You Can Take to Protect Yourself

Nimble Photography is more than just traveling light to relieve tired shoulders, it's also practice to keep you inconspicuous while enjoying the hobby you love. My current recommendation of traveling with just a smartphone and a compact camera provides you with tremendous capability and no camera bag.

Camera Insurance can often be purchased as a rider to your existing home owners or renters policy and can help you replace gear if criminals successfully strike.

Keep Your Gear with You, even while driving is a necessary practice these days. I never leave my valuables in the car, even if I'm just dashing into the local convenience mart. While driving, I keep my stuff in the front seat by my side.

Be Urban Smart - Stay aware of your surroundings, stand tall, avoid vulnerable locations, always have a exit plan, and listen to your inner voice.

Lock Up Your Gear at Home - I have both a safe and a locking cabinet to slow down thieves who may be contemplating a crime against me.

With a little luck and by following these practices, you should be able to avoid the misfortune that I described at the top of the show. Be careful out there!

Royal Photographic Society makes 165 years of its Journal free online

You can read the article here on DP Review.

The Royal Photographic Society has digitized its archive and made issues of its magazine, the RPS Journal, free to read online. Visitors to the Society's website will be able to read issues dating right back to the first magazine that was published on 3rd March 1853. The frequency of publication has varied slightly over the years, but the RPS claims The Journal is the longest continuously published photographic periodical in the world. The current format of the magazine is published six times a year, and the free archive covers 1853 to 2018, said to be over 30,000 pages of searchable articles packaged into 158 volumes of publications.

The RPS covers a full range of photographic interests from professional, technical and scientific to pure enthusiast and artistic, and that breadth is reflected in the content of The Journal. It was the end of 1800's before pictures appeared -- and even then they are drawings of the photographs due to be shown in an exhibition -- and members had to wait until the 1920s before photographs were able to be printed on the pages.

The Journal's archive is a fantastic record of photographic technology as well as of changing styles and the growth of popularity of photography as a pass-time as well as a profession. Its advertising pages give us a running commentary of camera equipment and consumables over the last century and a half, regular picture-based features chart movements in technique and art, while the search feature will take you directly to coverage of major, and minor, photographers since the beginning of photographic time. You can even find results under 'Demolder'! For more information see the Royal Photographic Society's website.

Urth Lens Mount Adapters for Vintage Optics to Mirrorless Cameras

I've been testing various lens mount adapters and wanted to mention to you one of my favorites: the Urth/Gobe line of Lens Mount Adapters. They are affordable, usually around $32, very well made, and you can find combinations that are difficult to locate elsewhere. For example, I bought a Pentax DA mount to Fujifilm X-Mount adapter that works fantastic.

Vintage lenses on mirrorless cameras are a great way to get the creative juices going. And these mounts make it a successful endeavor.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Waiting List for a Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop

The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But I've created a wait list for a second session that would begin in mid-February. If we get enough interest for a second session, I will open registration for it.

If you're interested in attending, just go to The Nimble Photographer and click on Workshops. There's no charge to get on the wait list.

In this workshop you will explore:

• Working with just one digital camera and an iPhone.
• Taking advantage of a versatile fast prime lens on your digital camera and using iPhone for additional focal lengths.
• Perfecting a RAW workflow with the iPhone.
• Leveraging Apple ProRAW for those who have iPhone 12 Pro.
• Building a kit that allows you to travel lighter without compromising capability.
• Post processing tips and techniques using Photos on Mac, iPad, and iPhone.
• Investigating other software and workflows to augment your imaging prowess.

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #776, Feb. 2, 2021. Today's theme is "New Cameras for 2021" I'm Derrick Story.

Opening Monologue

Sony, Fujifilm, Leica, and Canon get 2021 off to a great start by launching a variety of cameras. From Sony's flagship full frame mirrorless to Canon's AI powered bot, there's bound to be something for everyone. I provide an overview of all this tantalizing gear in today's TDS Photography Podcast. I hope you enjoy the show.

New Cameras for 2021

OK, let's dig in and see what's waiting for us...

Leica M-10P Reporter - Inspired by Leica's history and connection with press and reportage photography, the M10-P "Reporter" is a special edition rangefinder camera featuring a streamlined body design along with a characteristic dark green paint finish. The camera also sports a highly durable scratch-resistant coating and is fitted with Kevlar trim for an even more rugged appearance and enhanced grip. This camera is part of a limited edition of 450 units.

• 24MP Full-Frame CMOS Sensor
• Leica Maestro II Image Processor
• Optical 0.73x-Magnification Viewfinder
• 3.0" 1.04m-Dot Touchscreen LCD
• ISO 100-50000, up to 5-fps Shooting
• Built-In Wi-Fi
• Redesigned Shutter, Built-In Level Gauge
• Stills-Only Operation
• Dark Green Finish with Kevlar Trim

The Leica M-10P Reporter is available now for $8,795 (Body Only).

=================================

Sony Alpha 1 Mirrorless Digital Camera - Full-frame mirrorless offers high-resolution for stills shooting and impressive 8K video recording.

• 50MP Full-Frame Exmor RS BSI CMOS Sensor
• Up to 30 fps Shooting
• ISO 50-102400
• 8K 30p and 4K 120p Video in 10-Bit
• 4.3K 16-Bit Raw Video Output
• 9.44m-Dot EVF with 240 fps Refresh Rate
• 759-Pt. Fast Hybrid AF, Real-time Eye AF
• 5-Axis SteadyShot Image Stabilization
• Dual Drive Mech. Shutter, 1/400 Sec Sync
• 5 GHz MIMO Wi-Fi, 1000BASE-T Ethernet
• Dual CFexpress Type A/SD Card Slots

You can pre-order the Sony Alpha 1 for $6,498 (Body Only). Shipping begins March 4, 2021.

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FUJIFILM GFX 100S Medium Format Mirrorless Camera - Pairs an ultra high-resolution 102MP sensor with an impressively compact and portable mirrorless camera body design.

• 102MP 43.8 x 32.9mm BSI CMOS Sensor
• X-Processor 4 Image Processor
• 4K30 Video; F-Log Gamma, 12-Bit Raw Out
• 3.69m-Dot OLED EVF
• 3.2" 2.36m-Dot Tilting Touchscreen LCD
• 5-Axis Sensor-Shift Image Stabilization
• 425-Point Phase-Detection Autofocus
• ISO 100-12800, Up to 5 fps Shooting
• 400MP Pixel Shift Multi-Shot
• 19 Film Simulation Modes

The FUJIFILM GFX 100S will begin shipping March 11, 2021 for $5,999 (Body Only).

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FUJIFILM X-E4 Mirrorless Digital Camera with XF 27mm f/2.8 R WR Lens - Featuring the same 26.1MP X-Trans CMOS 4 APS-C sensor and X-Processor 4 from the flagship model, the X-E4 offers rich color rendering, wide dynamic range, and an impressive sensitivity range for working in difficult lighting conditions.

• 26.1MP APS-C X-Trans BSI CMOS 4 Sensor
• X-Processor 4 Image Processor
• DCI/UHD 4K at 30 fps, Full HD at 240 fps
• 2.36m-Dot 0.62x OLED EVF
• 3.0" 1.62m-Dot 180° Tilting Touchscreen
• 425-Point Hybrid AF System
• ISO 160-12800, up to 30-fps Shooting
• Bluetooth and Wi-Fi Connectivity
• Film Simulation Modes
• XF 27mm f/2.8 R WR Lens

The FUJIFILM X-E4 with XF 27mm f/2.8 R WR Lens will be available beginning March 11, 2021 for $1,049 including the lens. The body only will be $849. So you get that great lens for only $200.

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Canon unveils AI-powered automatic camera, the PowerShot PICK - Full story on DP Review.

The experimental PowerShot PICK camera can analyze a scene, identify people, track their faces and then, using artificial intelligence, determine the ideal moment to capture a photo. In a rough translation, Canon refers to the PICK as an 'automatic shooting camera.' The PowerShot PICK combines Canon's optical, video processing, and artificial intelligence technology.

The PowerShot PICK uses a 1/2.3-inch 12MP CMOS image sensor. The sensor is paired with a 19-57mm equivalent zoom lens with a maximum aperture of F2.8. The PICK includes built-in image stabilization. The PICK pans 170° in both directions and can tilt 110°. The PICK records to a microSD card and weighs a mere 170g. As you can see in the video above, the PICK is small, with a height of about 3.5" (90mm) tall.

While the PICK is designed to take photos automatically in the background, which Canon believes will result in more authentic images and better mementos, the PowerShot PICK can also be manually controlled using keywords. A user says, 'Hello PICK,' followed by commands to take a photo, record video, change subjects and stop capturing.

The PICK will launch alongside a dedicated smartphone app, allowing you to view and share photos and videos captured by PICK. The app automatically recommends the best photos, although you can view all images.

The Canon PowerShot PICK is currently available only to backers on Makuake. The price for the PICK works out to just under $400. Given the campaign's success, the only remaining units are for the PICK and charging cable. The tripod bundle has sold out. Canon intends to ship the PICK to backers this July. Canon hasn't announced global or public release plans, so it's unclear if the PowerShot PICK will be available outside of Japan.

The Infrared Photography Workshop

If you want to learn the ins and outs of IR photography from the comfort of your home during this online event, then check out The Infrared Photography Workshop that begins in mid-March.

We'll start with an orientation meeting in early February to help you get your gear in order. That will give you time to get situation and familiar with your camera. We then begin instruction in mid-March.

You will learn how to:

• Choose best IR filter to start with.
• How to test your existing digital camera for infrared sensitivity.
• Learn about the different types of IR conversions for digital cameras.
• See how different IR filters produce wildly different results.
• Learn how to fine-tune your images with software you already own.
• Discover advanced techniques to take your images to the next level.

You can sign up now for $145. Inner Circle Members, visit out Patreon site for a discount coupon code.

ON1 Makes Good on Promise, Adds Plugin Support for Capture One

You can read the article here on PetaPixel.

ON1 has announced that its Effects, Portrait AI, Resize, and HDR plugins are now compatible with Capture One. The latest versions of these plugins were announced last year with the promise for Capture One support "soon." That promise has been fulfilled.

Originally launched for Adobe Lightroom Classic and Photoshop, Affinity Photo, Corel Paintshop Pro, and Apple Photos, ON1's addition of Capture One to that mix nicely fills out its support for the majority of photographers who want to use the company's plugins.

The ON1 Professional Plugins for Capture One are available individually for $69.99. Those who want all four plugins can get the ON1 Professional Plugin Bundle for $99.99. 14-day trials for each plugin are also available. A single purchase of any ON1 plugin includes both Windows and macOS versions, for use on two computers, and support for 11 languages.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Waiting List for a Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop

The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But I've created a wait list for a second session that would begin in mid-February. If we get enough interest for a second session, I will open registration for it.

If you're interested in attending, just go to The Nimble Photographer and click on Workshops. There's no charge to get on the wait list.

In this workshop you will explore:

• Working with just one digital camera and an iPhone.
• Taking advantage of a versatile fast prime lens on your digital camera and using iPhone for additional focal lengths.
• Perfecting a RAW workflow with the iPhone.
• Leveraging Apple ProRAW for those who have iPhone 12 Pro.
• Building a kit that allows you to travel lighter without compromising capability.
• Post processing tips and techniques using Photos on Mac, iPad, and iPhone.
• Investigating other software and workflows to augment your imaging prowess.

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #775, Jan. 26, 2021. Today's theme is "What to Do with Your Old Digital Camera?" I'm Derrick Story.

Opening Monologue

As time marches on and we acquire new gear, there remains the question of what to do with our aging cameras. Unless it's a relatively new model, chances are good that it isn't worth much on the used market. So then what? I present some ideas on today's TDS Photography Podcast.

What to Do with Your Old Digital Camera?

I try to limit the amount of excess stuff in my home and at work. This takes a surprising amount of vigilance. I've learned that if I slack off just for a year or so, I'll notice things piling up in my closet and on the shelves.

Most of these items can be recycled, some can be donated, but I've noticed that digital cameras occupy an unique niche in this challenge that isn't easily managed.

First of all, they still work. Just because a camera doesn't have the latest specs doesn't mean it isn't useable. Second, they usually represent a sizable investment. And finally, I often have an emotional attachment because of the places I've been and the things I've done with a camera.

As a result, I've worked up some ideas that make this challenge palatable. And I thought that I would share them with you.

5 Ideas for Used Digital Cameras

• Convert it to an Infrared camera - This is a great way to keep an old friend by your side. As I discussed last week, IR photography is invigorating. And you may just fall in love all over again. I recommend Kolari Vision for this service.
• Swap it for other gear that you need - I've done this more than I would have imagined possible. If I have a camera that I want to upgrade to a newer model, I've been lucky enough to trade it for some other gear that I needed.
• Donate it to education For many students, equipment costs is a barrier to them taking a photography class. And many high schools and junior colleges accept donations to help mitigate this problem.
• Find a specialty use for it - I did not want to part with my Olympus OM-D E-M5 Mark II, even though I wasn't using it in the field any longer. I now keep it in the studio for my product photography for TheFilmCameraShop and for my blog posts on TDS. Web publishing doesn't require lots of pixels, and my older cameras work perfectly in this scenario.
• Use it in high risk situations - Whether it's a river raft trip or as a loaner to someone learning photography, it's far better to meet an ill fate with a camera that you're no longer depending on.

The bottom line is, nobody likes to be put out to pasture, not even digital mechanical devices that can still have purpose in life. Pull that camera off the shelve and see what you can do with it.

The Infrared Photography Workshop

If you want to learn the ins and outs of IR photography from the comfort of your home during this online event, then check out The Infrared Photography Workshop that begins in mid-March.

We'll start with an orientation meeting in early February to help you get your gear in order. That will give you time to get situation and familiar with your camera. We then begin instruction in mid-March.

You will learn how to:

• Choose best IR filter to start with.
• How to test your existing digital camera for infrared sensitivity.
• Learn about the different types of IR conversions for digital cameras.
• See how different IR filters produce wildly different results.
• Learn how to fine-tune your images with software you already own.
• Discover advanced techniques to take your images to the next level.

You can sign up now for $145. Inner Circle Members, visit out Patreon site for a discount coupon code.

Turning Off Your Camera on a Zoom Call Helps Save the Planet

You can read the article here on PetaPixel.

If you often find yourself in Zoom meetings in which others on the call don't need to see your face, you now have a great excuse for leaving your camera off: it can help save the environment.

A new study conducted by researchers at Purdue, Yale, and MIT has found that one hour of videoconferencing emits up to 1 kilogram of carbon dioxide, uses up to 12 liters (3.2 gallons) of water, and requires a piece of land the size of an iPad Mini.

In their new paper titled "The overlooked environmental footprint of increasing Internet use" and published in the journal Resources, Conservation and Recycling, the scientists noted that leaving your camera off during that hour-long call could reduce that footprint by a whopping 96 percent.

Turning off a camera for 15 hour-long meetings every week would reduce carbon dioxide emissions by 9.4 kilograms (20.7 pounds) per month. If one million Zoom users did this, they would save 9,000 tons of CO2, the equivalent of coal-powered energy used by a city of 36,000 in that same month.

The New Donation Kit for Carefree Shipping of Found Film Cameras

We have more time around the house than ever. And you finally dove into that bedroom closet that's been begging for some organization.

If you found a film camera that you're no longer using, our new Donation Kit makes it easy to pack and ship. Just visit the Contact Form on thenimblephotographer.com, click the box next to Donating a Film Camera, and let me know what you have. In your note, be sure to include your shipping address.

If it's a camera we can use for the shop, I'll send you a Donation Kit that includes a USPS Priority Mail shipping box and prepaid label. All you have to do is tape it up, insert the camera, and add the label. USPS will pick up your shipment from the front door of your house during their regular mail delivery. It's that simple!

Your donation help get analog gear in the hands of aspiring fine art photographers, and the proceeds help support this podcast.

Virtual Camera Club News

Waiting List for a Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop

The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But I've created a wait list for a second session that would begin in mid-February. If we get enough interest for a second session, I will open registration for it.

If you're interested in attending, just go to The Nimble Photographer and click on Workshops. There's no charge to get on the wait list.

In this workshop you will explore:

• Working with just one digital camera and an iPhone.
• Taking advantage of a versatile fast prime lens on your digital camera and using iPhone for additional focal lengths.
• Perfecting a RAW workflow with the iPhone.
• Leveraging Apple ProRAW for those who have iPhone 12 Pro.
• Building a kit that allows you to travel lighter without compromising capability.
• Post processing tips and techniques using Photos on Mac, iPad, and iPhone.
• Investigating other software and workflows to augment your imaging prowess.

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.

This is The Digital Story Podcast #774, Jan. 19, 2021. Today's theme is "Why Now Is the Time for Infrared Photography." I'm Derrick Story.

Opening Monologue

After 10 months of enduring the pandemic, most of us know every square inch of our immediate environment. We've photographed the same scenes dozens of times, or have given up shooting all together. I have an amazingly effective vaccine for this creative malaise: infrared photography. And I will explain why in today's TDS podcast. I hope you enjoy the show.

Why Now Is the Time for Infrared Photography

I have one of three walks that I take daily. And every time I head out the door, I have a camera with me hoping to capture something new and unique.

These walks are important to me because my jobs as a photographer have all been crushed by the virus. And I haven't traveled for work since March 2020. So each day I hope to see something new to record and possibly share with others. And lately, each day I've been disappointed.

One of my friends, Harold, is a big fan of infrared photography. He's shown me a lot of different things that you can do with it that go beyond what I've dabbled with over the years. So I decided to revisit what's happening now in IR. And it blew my mind!

The big leap I took was getting my hands on an Olympus E-M10 Mark III that had been converted to full spectrum by Kolari Vision. This allowed me to use a variety of IR filters to create radically different looks.

Now, when I take those daily walks over familiar territory, it's like I'm in a different world each day. On Monday I can shoot with the 720nm for stunning IR black and white, then on Tuesday, take the same walk with an IR Chrome filter to create a delicious world of complementary oranges and blues. Every day is a new day thanks to IR photography.

You can start small to ease into IR or go big with a converted camera. Either way, you will open up a world that was literally not visible to you before. And suddenly, hometown photography is fun again.

Here are 5 Fun Tips about IR photography

• Test an existing camera for IR sensitivity - Point a TV remote controller at your camera lens in live view. Press a button. If a dot of light is recognized on the LCD, then your camera has some IR sensitivity.
• Start with a Hoya R-72 Infrared Filter - I think this is the easiest way to begin with a camera that is not converted. You will have slowish shutter speeds, but I have made some wonderful pictures with this filter.
• Invest in a converted camera You can invest in a Kolari Vision pocket camera for as little as $249 including filters, or you can have an existing camera converted.
• More Options with Broader Spectrum Cameras - One of the things that got me really excited about IR the second time around was working with a full spectrum camera that gives me access to a wide variety of looks.
• A Hot Mirror Filter Gives Your Traditional Pictures from a Broad Spectrum Camera - If you want to use your IR camera for regular pictures as well, then get a broad spectrum conversion with a hot mirror filter to go over the lens.

IR photography will give your creativity the jumpstart it needs while we navigate the ongoing pandemic in 2021. Have fun with it!

The Infrared Photography Workshop

If you want to learn the ins and outs of IR photography from the comfort of your home during this online event, then check out The Infrared Photography Workshop that begins in mid-March.

We'll start with an orientation meeting in early February to help you get your gear in order. That will give you time to get situation and familiar with your camera. We then begin instruction in mid-March.

You will learn how to:

• Choose best IR filter to start with.
• How to test your existing digital camera for infrared sensitivity.
• Learn about the different types of IR conversions for digital cameras.
• See how different IR filters produce wildly different results.
• Learn how to fine-tune your images with software you already own.
• Discover advanced techniques to take your images to the next level.

You can sign up now for $145. Inner Circle Members, visit out Patreon site for a discount coupon code.

The Death of the Entry-Level DSLR Is Upon Us: Nikon Calls Time on the D3500 and D5600

You can read the article here on Fstoppers.

Last week, Nikon confirmed that its two most affordable DSLRs, the D5600 and D3500 are now "archived products." Are we witnessing the slow disappearance of the entry-level DSLR?

TechRadar reached out to Nikon following reports that the two cameras have been listed as "archived." This, according to Nikon Rumors, is usually an indication that the two models are about to be discontinued if they haven't been already. "In Japan, the D5600 and D3500 are archived products," Nikon explained. "The products will continue to be sold in countries and regions other than Japan. We plan to continue selling these products for the time being. For areas other than Japan, we will consider the optimal timing for discontinuation based on the needs of the market and customers."

Nikon continues to occupy a curious position in terms of its DSLR cameras, having just released new versions of the Z 6 and Z 7 mirrorless cameras but, according to rumors, intends to produce not one but potentially two new high-end DSLR cameras in the near future. One near-certainty will be the successor to the popular D850 and it remains unclear what the second might be.

Virtual Camera Club News

Waiting List for a Second Session of Integrating iPhone into a Pro Photography Workflow Online Workshop

The first session of "Integrating iPhone into a Pro Photography Workflow" Online Workshop has sold out. But I've created a wait list for a second session that would begin in mid-February. If we get enough interest for a second session, I will open registration for it.

If you're interested in attending, just go to The Nimble Photographer and click on Workshops. There's no charge to get on the wait list.

In this workshop you will explore:

• Working with just one digital camera and an iPhone.
• Taking advantage of a versatile fast prime lens on your digital camera and using iPhone for additional focal lengths.
• Perfecting a RAW workflow with the iPhone.
• Leveraging Apple ProRAW for those who have iPhone 12 Pro.
• Building a kit that allows you to travel lighter without compromising capability.
• Post processing tips and techniques using Photos on Mac, iPad, and iPhone.
• Investigating other software and workflows to augment your imaging prowess.

Inner Circle Members: A big thanks to those who support our podcast and our efforts!

Affiliate Links - The links to some products in this podcast contain an affiliate code that credits The Digital Story for any purchases made from B&H Photo and Amazon via that click-through. Depending on the purchase, we may receive some financial compensation.

And finally, be sure to visit our friends at Red River Paper for all of your inkjet supply needs.

See you next week!

Product Links and Comments

There are product links in this article that contain affiliate tags. In some cases, depending on the product, The Digital Story may receive compensation if you purchase a product via one of those links. There is no additional cost to you.

You can share your thoughts at the TDS Facebook page, where I'll post this story for discussion.